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Chrome Yellow. Bright yellow subject reflected in crumpled shiny metallic surface. Acrylic on canvas.
Chrome Yellow. Bright yellow subject reflected in crumpled shiny metallic surface. Acrylic on canvas.
Chrome Yellow. Bright yellow subject reflected in crumpled shiny metallic surface. Acrylic on canvas.
Chrome Yellow. Bright yellow subject reflected in crumpled shiny metallic surface. Acrylic on canvas.
Chrome Yellow. Bright yellow subject reflected in crumpled shiny metallic surface. Acrylic on canvas.
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Chrome Yellow Painting

Christian Dodd

United Kingdom

Painting, Acrylic on Canvas

Size: 40 W x 30 H x 1.5 D in

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About The Artwork

One of a series of paintings which use crumpled confectionary wrappers as their subject. Painted in a reductive style with little or no blending of colours on the canvas. While representational these pieces achieve an abstract and pareidolic state in which the viewer may see something other than the subject. This painting is matt varnished and ships wired ready to hang without a frame.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:40 W x 30 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I've explored many subjects over my thirty year practice but my current focus centres around multi-panelled pieces inspired by the mechanics of slide puzzles. In these palimpsest works, I apply multiple layers of images, marks and patterns so that they occupy the same composition but in different states, allowing images and motifs to undergo a transformative process between each layer. This method becomes a metaphor for exploring the intricacies of incompatibility or inevitability and can be disconcertingly jarring or consistently reaffirming dependent upon the work. The deliberate scattering and breaking of images, motifs and symbols allows me to explore many different ideas within a single compositional style and is, for me as an artist, a breakthrough in addressing the disorder and confusion I see in myself and the world around me. Alongside the multi-panelled pieces, I engage in the abstraction of complex subjects in my paintings. By deliberately introducing complexity and then allowing it to evolve into abstraction through the reductive process of painting, I seek to evoke pareidolic reactions from viewers — a reminder of our innate human tendency to find meaning in the seemingly abstract and unfamiliar.

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