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Fast or food Painting
Ecuador
Painting, Acrylic on Wood
Size: 44.5 W x 24 H x 0.8 D in
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About The Artwork
On the left side of the painting, there is a representation of the world of consumption. This is portrayed through the presence of various symbols of consumerism such as the clown Ronald McDonald, the KFC logo with Colonel Sanders, Coca Cola, M&Ms, and other similar icons. These elements symbolize the commercialized and materialistic aspects of modern society. On the other side of the painting, there is a depiction of the world of nature. This is represented by an aboriginal girl situated in a jungle setting. The girl is adorned with a wreath of flowers, symbolizing her connection to the natural world. Additionally, the presence of flying parrots with colorful plumage further emphasizes the vibrant and diverse aspects of nature. The painting aims to highlight the contrast between the artificial and consumer-driven world on one side, and the organic and harmonious world of nature on the other. It prompts viewers to reflect on the potential consequences of excessive consumerism and the importance of preserving and appreciating the natural environment.
Details & Dimensions
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:44.5 W x 24 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Ecuador.
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Ecuador
Artist Vlad Tasoff is a master at blending the worlds of the fantastical and the real to create dynamic paintings that celebrate the essence of human spirit. His works offer a unique brand of organic surrealism charged with delicate intimations, traces and shadows. Overlapping, semi-translucent veils of rich, frosted pastel figuration sketch out the female body in synthesis with the vegetal and geographic features of mysterious terrain. Adopting the characteristically surrealist trope of masquerade as metaphor, Tasoff’ s dynamic use of hybrid female forms greet the viewer during precious instants of sensual slumber and spiritual discovery. Specific archetypes such as angels, enchantress and deities appear to fise seamlessly into their surroundings. Tropical oases, glacial slopes and dewy meadows emerge amidst illusions to Western and Oriental culture, fashioning mystical landscapes ripe with the beguiling fruit of forms, symbols and signs…
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