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Memories of an old man. Painting

Thierry Vobmann

France

Painting, Acrylic on Canvas

Size: 16.1 W x 13 H x 0.8 D in

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SOLD
Originally listed for $455
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117 Views
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About The Artwork

Recently, I had the opportunity to meet several elderly, more that eighty. They told me how was life before, seventy years ago. The work in the fields with horses, war, the courage of some, changes in behavior and attitudes ... All this led to ask myself the question of what makes our life. Daily life dictates our behavior, but, our memories and our experiences have shaped who we are today. The today life of these persons who stand in front of me, reflects the past that they have experienced. Their memories, bits of their past life gradually crumbled, that disappear behind the wall of the time. They remember some important events, which are restore points, as we say in computer science, points that form the foundation of their future. This painting shows holes that time makes on our memory to form a patchwork of small moments of our experience, both present and fuzzy, those that have made what we are today. Original acrylic painting on high quality linen canvas 41x33 centimeters. Edges painted in black. You can hang it without frame. Four layers of varnish . Ready to hang.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:16.1 W x 13 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Thierry Vobmann is a professional French artist who lives in Brittany, the most westerly place on the European continent. In his studio, he creates paintings on canvas and sculptures in wood and metal. For more than ten years, he has devoted himself almost exclusively to abstract painting because he has set himself the goal of expressing everything that does not have a physical appearance such as sounds, smells, warmth, feelings, the wind ... He realized that finally most of the factors that govern our lives and our behavior were not visible but noticeable. Thierry's approach logically was to remove the image of the real to keep only the essential: the pure and universal emotion. During his first year of work in abstract expressionism as this style is commonly called, Thierry has developed his own style which is abstract but in which he slides as often as possible reminiscences of figurative techniques such as perspectives, shadows, lights. He constantly seeks the balance of volumes, textures, colors, movements in order not to disturb the expression of the feeling. His works are not smoothed. They are sometimes violent, colorful, and spicy, but always in order to accentuate the desired expressiveness. During this year of setting up, Thierry totally immersed in the construction of his art, declares that he began to make dreams he said “Sometimes, when I sleep, I receive as a message, a very precise vision of a work to paint. Everything is there, the visual, the title and regularly even the written description of the painting. So I wake up and look for paper and pencil to take notes or sketch because in the morning I will not remember anything. “ Thierry also states that it happened to him, when he was very calm and tired, because Thierry frequently paints at night, to make a painting that once completed, seemed totally foreign to him. He knew he had painted it but, his hand had been guided, at no time had he thought about what he was doing, he had done it. These dreams and the feeling of being assisted in his creation brought Thierry into the search for a universal energy, a vital energy that governs everything we know, that influences our life and our decisions. Thierry's evolution from the representation of the impalpable to universal energy has led him to the experience he is now leading. He seeks to voluntarily connect to these powerful external forces. This is what he calls "Blind painting experiment".

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