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Firstly I was inspired by Stanley Kubrick's film, "2001" when I was a teenager. I had been wondering how I could digest the film and represent it as artwork. After considering and exploring the ways to represent I realized I was far away from the film itself. Paintings almost ignored the contents of 2001, and Monolith began to say matters around me. These experiences were pretty rare but interesting and important to me. Then I continue to create the paintings in which Monolith appears.
Firstly I was inspired by Stanley Kubrick's film, "2001" when I was a teenager. I had been wondering how I could digest the film and represent it as artwork. After considering and exploring the ways to represent I realized I was far away from the film itself. Paintings almost ignored the contents of 2001, and Monolith began to say matters around me. These experiences were pretty rare but interesting and important to me. Then I continue to create the paintings in which Monolith appears.
Firstly I was inspired by Stanley Kubrick's film, "2001" when I was a teenager. I had been wondering how I could digest the film and represent it as artwork. After considering and exploring the ways to represent I realized I was far away from the film itself. Paintings almost ignored the contents of 2001, and Monolith began to say matters around me. These experiences were pretty rare but interesting and important to me. Then I continue to create the paintings in which Monolith appears.
Firstly I was inspired by Stanley Kubrick's film, "2001" when I was a teenager. I had been wondering how I could digest the film and represent it as artwork. After considering and exploring the ways to represent I realized I was far away from the film itself. Paintings almost ignored the contents of 2001, and Monolith began to say matters around me. These experiences were pretty rare but interesting and important to me. Then I continue to create the paintings in which Monolith appears.
Firstly I was inspired by Stanley Kubrick's film, "2001" when I was a teenager. I had been wondering how I could digest the film and represent it as artwork. After considering and exploring the ways to represent I realized I was far away from the film itself. Paintings almost ignored the contents of 2001, and Monolith began to say matters around me. These experiences were pretty rare but interesting and important to me. Then I continue to create the paintings in which Monolith appears.
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Missing Dog Reward Painting

Hirotaka Suzuki

United States

Painting, Acrylic on Canvas

Size: 18 W x 46 H x 1.3 D in

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About The Artwork

Firstly I was inspired by Stanley Kubrick's film, "2001" when I was a teenager. I had been wondering how I could digest the film and represent it as artwork. After considering and exploring the ways to represent I realized I was far away from the film itself. Paintings almost ignored the contents of 2001, and Monolith began to say matters around me. These experiences were pretty rare but interesting and important to me. Then I continue to create the paintings in which Monolith appears.

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Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:18 W x 46 H x 1.3 D in

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Perhaps I am painting the cruelty of contemporary life because it is in opposition to my naïve outlook. In contrast with the physical features of my paintings, I think I am visualizing my feeling of anxiety in contemporary life. Though I do not think I am fully aware of the relationship between this cruelty and my anxiety, I represent this unsure feeling as figuratively as possible, and I am trying to figure it out in my painting. Although there are some prominent aspects of our contemporary world, such as commercialism and materialism, I cannot say who my enemy is. Some of the threats might involve the art world, however to protest such issues overtly does not suit my personal outlook.

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