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Éros e Thánatos Painting

Francesco Calipari

Italy

Painting, Acrylic on Canvas

Size: 19.7 W x 27.6 H x 0.8 D in

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About The Artwork

The title of this work is a clear reference to the Freudian philosophy. The instincts of Creation and Destruction that govern the human being, reapper in this painting continuously and in different forms. The first to stand out is definitely given by the chromatic dualism between light/color and darkness/black (colorlessness), very marked dualism that completely divides the painting into an anteriore plane, and a posterior one within an almost absent, flat spatiality, due to the choice of a chiaroscuro barely outlined only in some points. The same painting was created by destroying another work previously done, and overlapping it. On the whole canvas we continuously find burns, cuts, and holes that have "destroyed" the surface. The moment I chose to portray, it is not casual, shows two lovers kissing, his face is not visible, but that of her yes, it seems as permeated by veiled melancholy and sadness: this kiss depicts a farewell, the moment preceding the detachment, and therefore again the Eros (the kiss represents the purest form of love), and again Thanatos (the goodbye of lovers is at the same time the destruction of their love). The result that derives from all this is a very simple and linear image, but at the same time it has an immense emotional impact.

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:19.7 W x 27.6 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For more info about me and my art check my official website: http://www.francescocalipari.it/index.php All prices are negotiable. Available also for commissions. For proposals, offers, or dealing about prices contact me on my website. “When I work on my paintings, it is as if I felt constantly the creative and destructive impulse that lies at the base of every human being. I feel the need to alter the material, merging with it and in this way with the randomness that comes from its alteration itself. This is why I burn the plastic, the canvases, shatter objects, use stucco, glazes and other materials, sometimes completely devoid of conventional painting techniques. It is as if the physical laws governing the properties of matter challenge me in a game where we both have control, but at the same time neither one of them has it: I will never be able to predict what form a glass object will take that I decide to shatter, a piece of bottle that I decide to dissolve, a flow of paint or a spatula of stucco that I decide to splash on the canvas. I can decide what to do with it, convey its use on my canvases, but I could never calculate all the variables and the way in which that particular material will respond to my alterations at that given moment, until the laws of physics have done their course. This antagonism, between what I continually try to control, shape, convey and manage, and what is dominated by pure randomness and physical laws, becomes a metaphor for that great unknown that is life. The unpredictability becomes a thrill, the thrill becomes life and life becomes matter on canvas: this is how the creative process underlies my works and that is how I feel all of myself flow into each of them ". - F. Calipari -

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