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This painting is constructed with paper, ink, paper bags, oil paint and oil stick, all sealed with a protective UV varnish. The sides are painted silver and it is ready to hang.

The Subway Sonnet series is inspired by my time growing up in Brooklyn and NYC in the 80s. Graffiti was all over from the old school telephone booths to the metal cages small business owners pulled down over their windows at night. It was all over the D train and Q trains that I took from Brooklyn into the city. There was an unintentional collaboration of marks coming from spray paint cans to stickers.

Over time these areas would get so filled up that new paint and stickers would be put on the surface and marks covered up of the previous “artists” there. These marks also told stories of the people who lived in these neighborhoods. I’m revisiting this vision when I paint. There is one mantra I keep at the forefront and then the rest follows (the one in this photo is love)

I work to find the right mix of what the painting is asking for, for it to be authentic and not fussy with the actual marks when a lot of thought actually goes into the piece before I picked up the paint. It’s challenging to take what is a random collaboration of paint, marks, paper, pieces and make it cohesive and balanced with the right amount of artless mark making.
 
“Cause down the shore everything's all right
You and your baby on a Saturday night
Nothing matters in this whole wide world
When you're in love with a Jersey girl”
.
.
Bc it was 1980 when Tom Waits wrote/sung that song and 85 when Bruce released it...it was that timeframe..and everything.
This painting is constructed with paper, ink, paper bags, oil paint and oil stick, all sealed with a protective UV varnish. The sides are painted silver and it is ready to hang.

The Subway Sonnet series is inspired by my time growing up in Brooklyn and NYC in the 80s. Graffiti was all over from the old school telephone booths to the metal cages small business owners pulled down over their windows at night. It was all over the D train and Q trains that I took from Brooklyn into the city. There was an unintentional collaboration of marks coming from spray paint cans to stickers.

Over time these areas would get so filled up that new paint and stickers would be put on the surface and marks covered up of the previous “artists” there. These marks also told stories of the people who lived in these neighborhoods. I’m revisiting this vision when I paint. There is one mantra I keep at the forefront and then the rest follows (the one in this photo is love)

I work to find the right mix of what the painting is asking for, for it to be authentic and not fussy with the actual marks when a lot of thought actually goes into the piece before I picked up the paint. It’s challenging to take what is a random collaboration of paint, marks, paper, pieces and make it cohesive and balanced with the right amount of artless mark making.
 
“Cause down the shore everything's all right
You and your baby on a Saturday night
Nothing matters in this whole wide world
When you're in love with a Jersey girl”
.
.
Bc it was 1980 when Tom Waits wrote/sung that song and 85 when Bruce released it...it was that timeframe..and everything.
This painting is constructed with paper, ink, paper bags, oil paint and oil stick, all sealed with a protective UV varnish. The sides are painted silver and it is ready to hang.

The Subway Sonnet series is inspired by my time growing up in Brooklyn and NYC in the 80s. Graffiti was all over from the old school telephone booths to the metal cages small business owners pulled down over their windows at night. It was all over the D train and Q trains that I took from Brooklyn into the city. There was an unintentional collaboration of marks coming from spray paint cans to stickers.

Over time these areas would get so filled up that new paint and stickers would be put on the surface and marks covered up of the previous “artists” there. These marks also told stories of the people who lived in these neighborhoods. I’m revisiting this vision when I paint. There is one mantra I keep at the forefront and then the rest follows (the one in this photo is love)

I work to find the right mix of what the painting is asking for, for it to be authentic and not fussy with the actual marks when a lot of thought actually goes into the piece before I picked up the paint. It’s challenging to take what is a random collaboration of paint, marks, paper, pieces and make it cohesive and balanced with the right amount of artless mark making.
 
“Cause down the shore everything's all right
You and your baby on a Saturday night
Nothing matters in this whole wide world
When you're in love with a Jersey girl”
.
.
Bc it was 1980 when Tom Waits wrote/sung that song and 85 when Bruce released it...it was that timeframe..and everything.
This painting is constructed with paper, ink, paper bags, oil paint and oil stick, all sealed with a protective UV varnish. The sides are painted silver and it is ready to hang.

The Subway Sonnet series is inspired by my time growing up in Brooklyn and NYC in the 80s. Graffiti was all over from the old school telephone booths to the metal cages small business owners pulled down over their windows at night. It was all over the D train and Q trains that I took from Brooklyn into the city. There was an unintentional collaboration of marks coming from spray paint cans to stickers.

Over time these areas would get so filled up that new paint and stickers would be put on the surface and marks covered up of the previous “artists” there. These marks also told stories of the people who lived in these neighborhoods. I’m revisiting this vision when I paint. There is one mantra I keep at the forefront and then the rest follows (the one in this photo is love)

I work to find the right mix of what the painting is asking for, for it to be authentic and not fussy with the actual marks when a lot of thought actually goes into the piece before I picked up the paint. It’s challenging to take what is a random collaboration of paint, marks, paper, pieces and make it cohesive and balanced with the right amount of artless mark making.
 
“Cause down the shore everything's all right
You and your baby on a Saturday night
Nothing matters in this whole wide world
When you're in love with a Jersey girl”
.
.
Bc it was 1980 when Tom Waits wrote/sung that song and 85 when Bruce released it...it was that timeframe..and everything.
This painting is constructed with paper, ink, paper bags, oil paint and oil stick, all sealed with a protective UV varnish. The sides are painted silver and it is ready to hang.

The Subway Sonnet series is inspired by my time growing up in Brooklyn and NYC in the 80s. Graffiti was all over from the old school telephone booths to the metal cages small business owners pulled down over their windows at night. It was all over the D train and Q trains that I took from Brooklyn into the city. There was an unintentional collaboration of marks coming from spray paint cans to stickers.

Over time these areas would get so filled up that new paint and stickers would be put on the surface and marks covered up of the previous “artists” there. These marks also told stories of the people who lived in these neighborhoods. I’m revisiting this vision when I paint. There is one mantra I keep at the forefront and then the rest follows (the one in this photo is love)

I work to find the right mix of what the painting is asking for, for it to be authentic and not fussy with the actual marks when a lot of thought actually goes into the piece before I picked up the paint. It’s challenging to take what is a random collaboration of paint, marks, paper, pieces and make it cohesive and balanced with the right amount of artless mark making.
 
“Cause down the shore everything's all right
You and your baby on a Saturday night
Nothing matters in this whole wide world
When you're in love with a Jersey girl”
.
.
Bc it was 1980 when Tom Waits wrote/sung that song and 85 when Bruce released it...it was that timeframe..and everything.
307 Views
66

VIEW IN MY ROOM

Subway Sonnet #11 | Jersey Girl Love Painting

Susan Washington

United States

Painting, Oil on Canvas

Size: 36 W x 48 H x 1.5 D in

Ships in a Crate

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SOLD
Originally listed for $2,100
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307 Views
66

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

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Featured in Inside The Studio

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Showed at the The Other Art Fair

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About The Artwork

This painting is constructed with paper, ink, paper bags, oil paint and oil stick, all sealed with a protective UV varnish. The sides are painted silver and it is ready to hang. The Subway Sonnet series is inspired by my time growing up in Brooklyn and NYC in the 80s. Graffiti was all over from the old school telephone booths to the metal cages small business owners pulled down over their windows at night. It was all over the D train and Q trains that I took from Brooklyn into the city. There was an unintentional collaboration of marks coming from spray paint cans to stickers. Over time these areas would get so filled up that new paint and stickers would be put on the surface and marks covered up of the previous “artists” there. These marks also told stories of the people who lived in these neighborhoods. I’m revisiting this vision when I paint. There is one mantra I keep at the forefront and then the rest follows (the one in this photo is love) I work to find the right mix of what the painting is asking for, for it to be authentic and not fussy with the actual marks when a lot of thought actually goes into the piece before I picked up the paint. It’s challenging to take what is a random collaboration of paint, marks, paper, pieces and make it cohesive and balanced with the right amount of artless mark making. “Cause down the shore everything's all right You and your baby on a Saturday night Nothing matters in this whole wide world When you're in love with a Jersey girl” . . Bc it was 1980 when Tom Waits wrote/sung that song and 85 when Bruce released it...it was that timeframe..and everything.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:36 W x 48 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Susan Washington is an abstract painter from Brooklyn New York. She comes from a family of painters and though has painted all her life she made her career in the fashion industry in NYC for 20 years before relocating to the Pocono Mountains to become a full-time painter. Her paintings have been shown nationally at Hamptons Market Art & Design, White Room Gallery in the Hamptons, The Affordable Art Fair NY, The Other Art Fair Los Angeles, Art Warehouse Los Angeles and internationally at Southport Art Center and Antwerpen. Works in collections include David Hoey & Katja Van Herle (LA & Antwerpen), Google NYC, Circle Wealth Management NYC, Jimmy O. Yang (Los Angeles), The Daxton, The Renaissance Palm Springs, Turnberry Ocean Club, HBO writer Joshua Conkel, The Stastny Foundation and numerous private collections worldwide. Susan’s paintings have also been included in film and motion pictures including The Book Club with Diane Keaton, LA’s Finest, The Morning Show, The Laundromat . Susan relocated to Baltimore in April of 2021 where she has a large studio on W. Pratt Street. Along with continuing to explore her Subway Sonnet’s body of work, Susan is commissioned for large-scale paintings and works closely with designers on residential and hospitality design projects. www.susanwashingtonfineart.com REPRESENTATION Winkel Galler | Baltimore MD The White Room Gallery | Hamptons, NY Muriel Guepin Gallery | NYC Artspace Warehouse | Los Angeles, CA Online with Saatchi Art and limited selection of works at Holly Hunt NYC.

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