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Side view of painting, illustrating the float mounting from wall and copper edge.
Reverse of painting, showing the float mount brackets and signature.
Reverse of painting showing the float bracket.
Wall bracket.
Detail of copper leaf gilding on the edge and return of the painting.
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VIEW IN MY ROOM

The Cut Painting

Rod McIntosh

United Kingdom

Painting, Ink on Paper

Size: 23.6 W x 23.6 H x 2 D in

Ships in a Crate

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SOLD
Originally listed for $1,810
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944 Views
11

Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

An original ink painting on Chinese mulberry paper. That is mounted onto a Fabriano cartridge paper (120gsm) substrate with archival rice starch paste. The cartridge is mounted to a secondary substrate of board with wheat paste. Providing a rigid structure to the work. The edges are gilded with copper leaf and on the return. The work is then finished with resin. The painting is to be float mounted away from wall. Allowing the copper leaf to reflect the light and provide an orange halo. The price of this artwork includes professional wooden crating.

Details & Dimensions

Painting:Ink on Paper

Original:One-of-a-kind Artwork

Size:23.6 W x 23.6 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Process is central within the painting practice of Rod McIntosh. His mark making has a fluidity and honesty that reveals itself through a muted pallet of monotones. This lends the work a striking and minimal appearance, which coalesces with the quiet sensitivity to his materials, time invested and action. Presence and concentration is key to his practice in cultivating a meditative quality. Examining his temporal gestures, alongside ideas of mindfulness, permanence, attachment and acceptance. For McIntosh the provenances and particular characteristics of each material are of great importance. Following closely traditional eastern recipes for archival inks and pastes he works upon delicate Chinese papers that absorb every fluid gestural movement as he accepts the brevity of a final committed action. With his body, the breath along with materials, and repetitive often-obsessive processes, focuses an attention to the present. Observing and recording the moment of creation within a continuum. He speaks of them as; “Physical meditations, that offers himself, and the viewer, a moment to pause.”

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, New York, London, London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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