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I cannot remember what made nature the leading subject of my works. The realm has always been of particular importance to me. With time the paintings became more and more synthetic, which was not pre-meditated but stemmed from my own experiences in contact with nature, influencing my way of perceiving the reality. I make up neither the idea nor the form. The concepts just occur to me, then I put them into practice. The inspirations for the paintings are found during my trips, when I have the possibility of a direct connection with nature. I analyse the ideas and impressions in the studio. I sythetise the form, delete the irrelevant elements, choose what is most important. Abstraction has always been close to me but the realistic motives also gave opportunity to convey different contents. I combine the expressively painted elements with colour patches. I pay a lot of attention to composition.
I cannot remember what made nature the leading subject of my works. The realm has always been of particular importance to me. With time the paintings became more and more synthetic, which was not pre-meditated but stemmed from my own experiences in contact with nature, influencing my way of perceiving the reality. I make up neither the idea nor the form. The concepts just occur to me, then I put them into practice. The inspirations for the paintings are found during my trips, when I have the possibility of a direct connection with nature. I analyse the ideas and impressions in the studio. I sythetise the form, delete the irrelevant elements, choose what is most important. Abstraction has always been close to me but the realistic motives also gave opportunity to convey different contents. I combine the expressively painted elements with colour patches. I pay a lot of attention to composition.
I cannot remember what made nature the leading subject of my works. The realm has always been of particular importance to me. With time the paintings became more and more synthetic, which was not pre-meditated but stemmed from my own experiences in contact with nature, influencing my way of perceiving the reality. I make up neither the idea nor the form. The concepts just occur to me, then I put them into practice. The inspirations for the paintings are found during my trips, when I have the possibility of a direct connection with nature. I analyse the ideas and impressions in the studio. I sythetise the form, delete the irrelevant elements, choose what is most important. Abstraction has always been close to me but the realistic motives also gave opportunity to convey different contents. I combine the expressively painted elements with colour patches. I pay a lot of attention to composition.
I cannot remember what made nature the leading subject of my works. The realm has always been of particular importance to me. With time the paintings became more and more synthetic, which was not pre-meditated but stemmed from my own experiences in contact with nature, influencing my way of perceiving the reality. I make up neither the idea nor the form. The concepts just occur to me, then I put them into practice. The inspirations for the paintings are found during my trips, when I have the possibility of a direct connection with nature. I analyse the ideas and impressions in the studio. I sythetise the form, delete the irrelevant elements, choose what is most important. Abstraction has always been close to me but the realistic motives also gave opportunity to convey different contents. I combine the expressively painted elements with colour patches. I pay a lot of attention to composition.
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Trees 3 December 15:12 Painting

Robert Motelski

Poland

Painting, Oil on Canvas

Size: 63 W x 35.4 H x 0.8 D in

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Originally listed for $9,300
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About The Artwork

I cannot remember what made nature the leading subject of my works. The realm has always been of particular importance to me. With time the paintings became more and more synthetic, which was not pre-meditated but stemmed from my own experiences in contact with nature, influencing my way of perceiving the reality. I make up neither the idea nor the form. The concepts just occur to me, then I put them into practice. The inspirations for the paintings are found during my trips, when I have the possibility of a direct connection with nature. I analyse the ideas and impressions in the studio. I sythetise the form, delete the irrelevant elements, choose what is most important. Abstraction has always been close to me but the realistic motives also gave opportunity to convey different contents. I combine the expressively painted elements with colour patches. I pay a lot of attention to composition.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:63 W x 35.4 H x 0.8 D in

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Robert Motelski was born in 1977 in Warsaw. In 1997 he graduated from The Art College in Warsaw. In 2002 he graduated with distinction from the painting department of The European Academy of Arts. His diploma supervisor is prof. Barbara Szubińska. Previously he had studied in the studios of Antoni Fałat, Andrzej Sadowski and Ewa Pełka. He has had over one hundred individual and group exhibitions. In 2004 he received the scholarship of the Art Promotion Fund granted by the Ministry of Culture. In 2008 he received “Młoda Polska” /Young Poland/ scholarship of the National Culture Center. His artistic interests focus on the study of a landscape and an innovative way of its presentation. His works are collected both in Poland and abroad and presented in numerous publications, e.g. “Encyclopedia of Polish Painting” (edit. 2012), and “Landscape in Polish Painting” (edit.2017).

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