VIEW IN MY ROOM
United States
Painting, Acrylic on Canvas
Size: 12 W x 12 H x 0.1 D in
Ships in a Box
Artist Recognition
Artist featured in a collection
The original is not for sale through Saatchi. Please find my artist website (or order a print here) instead Acrylic with mica and oxide powders (mixed into gel) on hardboard canvas panel. Quantum Mechanical tunneling happens when, According to Classical Mechanics there’s a barrier or wall. The energy to hop over the wall is more than is possessed by any of the particles blocked by the wall (or barrier). So in Classical Terms, those particles should be stuck on their side of the wall. In Quantum Mechanics, there’s also an Uncertainty factor, which tend to soften up Classical Walls, allowing some of the particles to leak or “tunnel” through the barrier. This idea was used to create the Scanning Tuneling Microscope, which could attain atomic resolution on atomically flat conductive samples. Other scanning probe microscopies followed, but most of the in plane atomic resolution seen for the non-tunneling varieties has been well debunked. In the painting “Tunneling Regime”, mica and other textural materials are used to create a granular space for the quantum tunneling particles, and the particle waves tunneling through are swirling helicoids. To be accurate, the Planck length granularity of space time is much much smaller than particles that can tunnel, and the waveforms aren’t accurate either. It is after all Art, and not a Physics illustration.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:12 W x 12 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
Have additional questions?
Please visit our help section or contact us.
United States
I am offering a selection of Abstracts and abstracted Science theme work on Saatchi. Please search for me online for my Landscape and Tree of Life bodies of work. I often ask myself whether I'm a physical scientist who also paints, or a painter who has studied a bit too much physics and chemistry. Physics and Chemistry have become a big part of how I model and understand the world. I approach paint texture in terms of it's viscoelastic properties, and color in terms of pigments and their spectra. If you take a cadmium inorganic red and it's organic substitute, gently tweak them so they look almost identical in indirect daylight, will they behave differently in incandescent light? Sunlight? Late afternoon light? (controlled lab light?) Unlike people, fruit, landscapes and other traditional painting subjects, technical ideas and objects don't have an "appearance" in any normal sense of imagery. They're imagined and depicted as visual ideas that guide us through complex phenomena. For example what do like bonds in molecules really look like? Or the quantum not-quite-existence of high vacuum-spawned subatomic particles? The softly dancing dynamic structures in complex fluids? What about "things" that are too small and too delicate for even the best electron microscopes (TEM - SEMs are toys)? I've found that many images scientists create serve as visual similes to data and hypotheses, and as visual metaphors for complex and often highly abstract concepts. These metaphors and their stylized interpretation inspire and guide my "abstract" work.
Artist featured by Saatchi Art in a collection
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?