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Visual Fable on James Joyce's Finnegans Wake Painting

Boris Wake

Bulgaria

Painting, Oil on Canvas

Size: 25.6 W x 33.1 H x 1.2 D in

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About The Artwork

Icon-o-graphing in Visual fable James Joyce' novel "Finnegans Wake" comes to share passion extracted from the core of the Joycecentric universe and explore the Wake as experience of the eye on the mind ear. In visualizing Joyce' MeanderTale FW, my artistic attempt is to ‘translate’ his portmanteau words as portmanteau images, to envisage polyphonic phrasing and represent the visual assonance of FW echolalia,to explore the iconography of double-talk, infixes, auditory rhymes as qualia of the "messes of mottage" (FW 183). James Joyce suggestion to read FW a laud is coded also in the text of FW - "Ope Eustace tube!"(FW 535-26). My visual interpretation of the FW aims to find the Eustace tube of the eye and to "listen" the image of the sound. Having a longstanding interest and "work in progress" pleasure of reading (visually) FW, between the "unmentionable trivialities of the routine" (FW), I have completed a cycle of oils and engravings on the Wake. My specific appreciation of art and avocation as visual artist is based on my interests in Cultural Phenomenology of Literature and Philosophy, in particular the new frontier of Philosophical Topology and Topological Philosophy. My works are conceptual art, exploring the interaction between image and text, simultaneous nature of communication as perception of qualia moments and experience.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:25.6 W x 33.1 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Visual Artist, Philosopher and Lawyer. "Our eyes demand their turn" (FW 52) - James Joyce, Finnegans Wake The source of my artistic influence is literature and philosophy discourse. My present Project is Topological notion of Metalepsis in and through Visual Art Research and Art Work: Topologically Speaking, Seeing, Thinking, Drawing, and deals with topological philosophy in visual narrative. Drawing is like semiotic reading. According to the social semiotic theory of representation, the grammar of visual design is like the linguistic structures, visual structures point to particular interpretations of experience and forms of social interaction. Color is a semiotic resource. The text is not exclusively black and white anymore or situated in linearly configured blocks. The colors, shapes, sizes, fonts, and positions of letters and words on Web sites, environmental signs, magazines, and textbooks reflect our changing society, creating images that did not exist 20 years ago. Computers and other technology have changed our concepts of time and space, and they have altered the way that we participate in many activities. With the increased amount of visual information, semiotics researchers have emphasized that communication is multimodal; people are reading not only written words, but also images. https://borislawart.weebly.com/ https://borislawart.weebly.com/events.html https://borislawart.weebly.com/blockchain-art.html https://borislawart.weebly.com/art-is-currency-itself.html

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