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The wide area architecture where I can express my sensitivity especially in aesthetic and graphic research. Many arcitects ask me to follow their work and that my gaze translates into images that illuminate their offices. My images printed on the new support Acrylic Glass gives a depth never reached before. ….. UltraHD Photo Print Under Acrylic Glass Maximum Image Quality Improved saturation and luminosity Immense depth Formats Ready to Hang 5-Year Guarantee Over 80 Awards & Recommendations 75-Year Brilliant Color Using the Latest Technology for Extreme Definition: ultraHD Photo Prints Under Acrylic Glass Presenting the ultraHD Photo Print Under Acyrlic Glass: perfect definition and detail. Compared to conventional photos, UltraHD Photo Prints offer significantly better resolution and have visibly sharper definition in the image’s finer details. Climate controlled storage. With the ultraHD Photo Print Under Acrylic Glass, is enables to emphasize even the smallest details in your photo. Even in large formats and when viewed up close. The special development process results in completely realistic images that rival natural sight and the retina’s ability to bundle visual information into a single experience. My prints achieves this level of realism through a combination of state-of-the-art technology and excellent. Luminous Colors and Strong Contrasts Even extreme lighting conditions can be accurately reproduced in an ultraHD Photo Print Under Acrylic Glass The very bright and dark areas are highly differentiated. With a higher dynamic range and an increased maximum density, the colors in your ultraHD Photo Prints Under Acrylic Glass appear more intense, and the contrasts seem richer than they do in conventional photo prints. The consistent production conditions of our new process also entirely eliminate discrepancies when re-ordering. Strong contrasts and amazingly vivid color Increased dynamic range for precise light gradation  Traditional Photo Print,  ultraHD Photo Print A Revolution in Traditional Development In order to keep up with my creative work however, we do to modernize and perfect this traditional method. The light, shatterproof material emphasizes the appearance of the photo print, making the image’s colors and depth really pop. Our silicone has proven to be extremely durable and even protects from warping due to changes in temperature. The 1/8” aluminum Dibond backing consists of two layers of aluminum sandwiched around a polyethylene core, and it completes the overall look while providing additional stability. 1/8" (4 mm) Acrylic Glass: Depth, high luminosity and incredible definition for experienced photographers and pros – also ideal for gallery presentations or exhibitions
Photography:Fiberglass on Carbon Fibre
Artist Produced Limited Edition of:1
Size:21.7 W x 15.7 H x 1.2 D in
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Informations : Antoine Péluquère Lives and works in Nantes (France) www.antoine-photographe.fr www.antoine-photographe.myportfolio.com Professional life : Photographer reporter for daily newspaper, and french magazines corresponding to different press agencies I have been published in almost all newspapers and news magazines in France. I then turned to the tourism issue, I published three books. All this time I work for « Charme » magazines calendars etc... (Play-Girls, PM, Penthouse Australia) I now have my own photo studio In Nantes France. I mainly do industrial and advertising photography. My aesthetic and erotic creation. I always keep time for my research and creation for my aesthetic and erotic world. I expose my work for years in art galleries in France, Canada and in Australia. Reporter photographe pour un quotidien, et correspondant pour différentes agences de Presse ; Publié dans pratiquement tous les quotidiens et magazines d'actualités. je me tourne ensuite vers l'édition touristique. Je publie trois livres et collabore pendant toutes ses années avec des revues de charme. Mon approche de l’image est émotionnelle, c'est une photographie plasticienne, qui se situe loin de l'imagerie documentaire.
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