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Barbed Wire - Limited Edition of 1 Photograph

Geoffrey Klempner

United Kingdom

Photography, Black & White on Paper

Size: 25.4 W x 20.3 H x 0.3 D cm

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Original hand-made black and white Bromide print on fiber paper. Urban scene taken in London with 35mm camera. The 61/2x41/2 inch print is dry mounted on 8x10 inch card. Printed in 1976.

Year Created:

1976

Subject:
Mediums:

Photography, Black & White on Paper

Rarity:

One-of-a-kind Artwork

Size:

25.4 W x 20.3 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I am a philosopher interested in photography. Back in the early 1970s I worked for Chard Jenkins, the advertising photographer who discovered the James Bond star George Lazenby. I attended evening classes in photojournalism under the Jorge Lewinski at the London College of Printing (now London College of Communication). I was a stringer for the Fleet Street agency Barratts Photo-Press, and while there photographed the film star Olivia de Havilland and Sonja Kristina of the rock band Curved Air. After gaining my D.Phil in Philosophy in 1982, I continued my interest in photography. In 2007, I was invited to give a presentation at George Watson College, Edinburgh on 'Metaphysics of the Photograph'. In 2016, my photo-series 'Sheffield Lanes' was included in 'Bourn', at the Stryx Gallery, Birmingham. I continue to explore the interface between photographic image making and philosophy, and welcome dialogue with other philosophers interested in the medium of photography.

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