VIEW IN MY ROOM
United Kingdom
Photography, C-type on Paper
Size: 47.3 W x 60.6 H x 0.8 D in
Ships in a Crate
Shipping included
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
Blast is a C type photographic image, printed on Fuji metallic paper, and Diasec mounted between clear Plexiglass and DiBond. It’s fitted with a hidden subframe, so it appears to float 15mm in front of the wall. .. With Blast FIRST I wanted to move on from the symmetry of Flow and create something more explosive, more dynamic, more dramatic, and of course far larger too. The study uses the same basic geometry, ideas and sculptural components as Flow, but reimagines them in a far looser, more haphazard assemblage of parts, pivoting around a constricted core, that creates an explosive blast along the horizon line. The title refers directly to the 1914 publication Blast!, issued in part as a sort of manifesto, by the Vorticists, whose core interest involved creating art that expressed the dynamism of the modern world. It’s a heady concept, a kind of anti-retrogressive stance. There’s often a delicious, irresistible, foolishness involved with manifestos, so I thought I’d put in a recommendation here for Bruce Mau’s brilliant Incomplete Manifesto, and also Julian Rosefeldt’s extraordinary film Manifesto, just in case you haven’t stumbled across either of them yet. Both are well worth a look.
Photography:C-type on Paper
Artist Produced Limited Edition of:8
Size:47.3 W x 60.6 H x 0.8 D in
Frame:Other
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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