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Photography, Color on Paper
Size: 16.5 W x 22 H x 0.1 D in
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Cage Fighters: A Fine Art Photography Series by Sam Faulkner Sam Faulkner’s Cage Fighters series extends his exploration of humanity’s most primal instincts, captured in the immediacy of physical and emotional extremes. Known for his work examining violence, suffering, and the fragility of existence, Faulkner explores mixed martial arts (MMA), capturing men who willingly confront pain. What compels these fighters to embrace brutality and emerge bloodied, yet standing? Photographed immediately after their fights, each portrait reveals fighters at their most vulnerable. In a makeshift studio set up between the octagon and the changing rooms, Faulkner used a stark white background to isolate the fighters, focusing entirely on the marks of battle. Bruised faces, torn skin, and swollen features tell the story of combat. But these images delve deeper—capturing the tension between strength and vulnerability, defiance and exhaustion. Caught in the moments between pain and recovery, some fighters stare defiantly into the camera, while others look away, drained and reflective. They stand as symbols of endurance, challenging viewers to confront the human desire to feel something real, no matter how painful. Here, victory or defeat becomes irrelevant; survival is the only narrative. Printed on Hahnemühle Fine Art Baryta 325gsm paper, the bright white surface enhances every detail, amplifying the emotional weight of each portrait. The barium sulphate coating creates a richness that evokes traditional Fibre Based papers. The Cage Fighters series offers collectors a chance to own a piece of work that explores the raw intersection of masculinity, violence, and survival. These limited-edition fine art prints transcend sports photography, serving as meditations on the human condition, endurance, and the scars—both seen and unseen—that define us.
2010
Color on Paper
15
16.5 W x 22 H x 0.1 D in
Not Framed
No
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Sam Faulkner is a London-based photographer known for his distinctive approach to both fine art and documentary photography. His work began in 1994 with a pivotal reportage project in Afghanistan, which earned him The Sunday Times Ian Parry Scholarship. Sam’s early work focused on exploring the human condition, capturing shared experiences across diverse cultures, often in conflict zones or challenging environments. His ability to document the raw reality of human life in extreme situations marked him as an important voice in the world of reportage photography. Faulkner’s best-known fine art project, Unseen Waterloo, re-imagines soldiers of the Battle of Waterloo through a contemporary lens. This series, exhibited at Somerset House in London, presents haunting portraits of re-enactors on the battlefield, exploring themes of memory, history, and the personal cost of conflict. The project was an exploration of how we remember wars and those who fought in them, particularly through the medium of photography. Unseen Waterloo challenges the way conflicts are visually represented, focusing on the individual soldiers rather than the grand narratives of war. Sam’s fascination with the breadth of human experience extends to other areas of his work, including his Cage Fighter series, which captured the intensity and vulnerability of MMA fighters immediately after their bouts. This series, much like Unseen Waterloo, is concerned with documenting the human condition in moments of extreme physical and emotional strain. In both projects, Faulkner has employed a meticulous approach to portraiture, focusing on the raw, unfiltered aftermath of intense experiences. Faulkner’s early work, strongly influenced by the traditions of black-and-white reportage photographers like Henri Cartier-Bresson and Robert Capa, gave way to more controlled, studio-based photography as his career evolved. His time in the fashion world, particularly alongside Mario Testino, played a crucial role in shaping his approach to portraiture. This experience helped him blend the spontaneity of reportage with the precision of studio work, creating a unique visual language that spans both commercial and fine art photography. His work has been widely exhibited, including at the National Portrait Gallery, Brighton Photo Biennial, and Paris Photo.
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