VIEW IN MY ROOM
United States
Photography, Color on Canvas
Size: 30 W x 40 H x 2 D in
Ships in a Crate
Since everything I photograph is found and photographed on site and as-is, I find myself tromping around construction sites, metalworking warehouses, and, in this particular instance, a train yard in Seattle. I had already spent a long time taking pictures of the weathered and worn outsides of the train cars when I came upon a car that was open on both sides, so I climbed up and saw this incredible image on the inside. Generally speaking, the real-life surface areas that I photograph tend to be small, but this was literally the entire end of the train car, and it was perfect just as it was. As is more common than not, the rust and corrosion somehow transformed into an underwater sea life gathering, so "Convergence" seemed appropriate. ***** Each limited edition print is made to order, printed on glossy canvas, and stretched over a sturdy wood frame. The image reaches to the edge of the frame, and the sides perpendicular to the wall are black. Each limited edition print is signed, numbered, dated and comes ready to hang with a hanger wire in back.
Photography:Color on Canvas
Artist Produced Limited Edition of:100
Size:30 W x 40 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Some people are startled when they realize my pieces aren't paintings, and though my goal isn't necessarily to fool anyone, I love that much of my work has a painterly quality, because that means I've been successful in taking an unremarkable object or surface, like a scrap of rusted metal or corroding section of pipe, and giving it an unexpected new and colorful life--and perhaps a bit of immortality. ***** I grew up in Southern California, and I graduated from UCLA in 1993. I had parents who were professors of photography and art history, so the absorption and appreciation of art (however subconscious) while growing up just came with the territory. As an adult living in Los Angeles, I indulged my creative and aesthetic impulses by working as a film & television makeup artist. On set and off, my camera was never far from my side, and I always took a lot of snapshots, but the thought of making art with my camera hadn't yet occurred to me. In 2003, I took a road trip to Seattle, fell instantly in love with the climate and the city itself, and moved here permanently less than two months later. Something about the way the climate of the Pacific Northwest affects the deterioration of industrial materials intrigued me and inspired me to begin taking photos of my new surroundings with a much more thoughtful eye than ever before. In the years since the move to Seattle, the urge to photograph the city has focused itself from the Big Picture to the Fairly Small, and it was that shift in perspective--and the striking images it produced--that inspired me to pursue my take on fine art photography in earnest.
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