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Crocodile - 95x35cm - Limited Edition 1 of 3 (plus artist proof) Photograph

Holger Martin

Germany

Photography, Black & White on Paper

Size: 37.4 W x 13.8 H x 0 D in

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About The Artwork

Archival Print on Hahnemühle Photo Rag Baryta (Glossy), Unframed, Signed Limited Edition Print, Numbered Certificate of Authenticity, Edition limited to 3 (plus 2 artist prints). It was somewhat eerie walking along this path. A fire had passed through not so long ago, leaving a trail of destruction through this pristine forest, the smell of burning still lingering in the air. Fallen trees, twisted branches and scorched earth in beautiful configurations of decay. Some of these looked like they had been arranged just for me to find them. Some of them had to be prized from the general blackness of a particular place. All of them showing the red glow of fire in disguise. Ultimately there is a line where the fire all stopped, one side of the forest surviving and the other side gone. Laguna Azul explores the brittleness of our relationship with our environment. Laguna Azul is a lake in the Torres del Paine national park in Patagonia, Southern Chile. In the last 30 years, the area has suffered three large scale fires devastating the native Lenga forest; a Lenga tree takes 200 years to grow to maturity. All three fires were started by accident by hikers, tourists to the area that the local economy depends on. The photographs capture the aftermath of the 2005 fire, close-up and distant landscape photography of the burnt out forest, having ended up in often graceful poses of decay. These photographs are combined with images of the tourist gateway to the park, Puerto Natales, showing a quiet, calm world seemingly a world away from the devastation, although it is ultimately its source.

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:3

Size:37.4 W x 13.8 H x 0 D in

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I make photographs. My subject is the cultural context of landscape and architecture. I am particularly interested in the traces we humans leave in our environment. Those are created indirectly through our global influence and at the same time directly through the local design of our surroundings. Although there are rarely any people in my photographs, they are always part of what is depicted as invisible agents. My works are created as project series on a specific theme. My thematic focus develops in the examination of a place, whether it is a landscape, an urban area or a building. For the project work I use an ethnographic approach focused on observation. Photographs are created in the repeated photographic examination of the physical place, whereby I draw on a view trained by my studies of architecture. With the parallel research of the background of the observed landscape I can give my projects the necessary context in accompanying texts. The outcome is a series of reflective images that approach a certain aspect of a place. I work out the photographs in my studio and often superimpose several digital files in one photograph to maintain better control over the quality of the presentation. Making my own pigment prints is an important part of my practice and up to a certain size I produce my works in signed editions myself.

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