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Delamain barrel on stairs - Limited Edition 15 of 15 Photograph

Eric Ezendam

France

Photography, Photo on Paper

Size: 26.2 W x 25.6 H x 0.1 D in

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About The Artwork

One more about Delamain cognac: when you visit the cellars and you go down the stairs? If you are lucky you might meet one of the superb barrels coming towards you. The 70% alcohol probably makes it very light and wanting to go up and get some air? Sadly enough I never experienced this so I had, as the say, ‘to put one and one together’. The stairs and these barrels were just to beautiful to not show them like this. They are naturally printed in the Giclée technique in a very limited edition of 15 on a large size: 65 x 66,5 cm. on heavy Fine Art paper. Signed and dated.

Details & Dimensions

Photography:Photo on Paper

Artist Produced Limited Edition of:1

Size:26.2 W x 25.6 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Eric Ezendam was born in Amsterdam, in the Netherlands, where he studied Art and Art history at the Rietveld Academy. Later on in Milan, he immersed himself in the world of graphic design, and through the ensuing years combined that profession with the fine Arts. He worked many years from Amsterdam, also a year in in Italy, in Rome and afterwards he travelled through many other countries. Since 2000 he has devoted his talent exclusively to fine Art, with his graphic work greatly enhanced by his knowledge of the computer. In addition to drawing with charcoal (often in large format) and terracotta chalk or Indian inks, along with oil painting on canvas, he finds the computer a fascinating medium for exploring new ways of expression. Many of his works are printed in high quality very limited editions (rarely more than 10 prints), but of course his charcoals are unica, as are his unique reworked large Giclées. “Ezendam is a master of all weapons” wrote the late Martin van Amerongen when he was editor-in-chief of the Dutch weekly De Groene. While interviewing Ezendam for his radio programme, ‘Visiting Artists in Their Studio’ art critic Toine Moerbeek exclaimed: “Those mysterious, sometimes cynical scenes you create, Eric, that’s pure theatre of the absurd. And those superb very large drawings, they are the result of a lifelong passion!”. And Gallery-owner Anne-Claire Vogtschmidt discerned in the artist’s oeuvre an almost metaphysical aspect: “Time in his work plays a different role, reality is somewhat pushed aside or backwards, and we, beautiful in our ugliness, we are put there in a loving way in this place where we haven’t been before.”

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