191 Views
2
View In My Room
Photography, Color on Paper
Size: 59.1 W x 35.4 H x 0.4 D in
Ships in a Tube
191 Views
2
Showed at the The Other Art Fair
Artist featured in a collection
Dreaming of Fata Morgana #4, 2013 Edition 3/5 150 x 90cm Pigment inkjet print on Canson Platine Fibre 310gsm archival paper :: The Fata Morgana is a type of superior mirage, which can be seen in both polar and desert regions. Dreaming of Fata Morgana is a series of images inspired by research conducted into mirages, which I undertook while on residency at the National Centre for Contemporary Arts Kronstadt artist residency during the winter of 2013. This work considers the mirage as a metaphor for an ambiguous space existing between what is real and what is imaged. I explored the sublime frozen seascape of the Gulf of Finland in daylight and darkness, which acted as a stage for the creation of unfamiliar realities. This work is informed by the sublime experience of traversing an environment both vast and inhospitable, and the resulting fears, imaginings and manifestations. This project is positioned between the photographic index, and the imagined, and invites a dialectic between nature, history and technology where reality is rendered simultaneously familiar and strange. The works transport the audience to a place of alternate visual truth – a dreamscape that resonates ideas of the infinite and the divine.
2013
Color on Paper
One-of-a-kind Artwork
59.1 W x 35.4 H x 0.4 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
France.
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I am a multi-disciplinary artist working across photo-media, sculpture and installation. At the very core of my practice is a fascination with light. Drawn to its luminosity and its intangibility my methodology is speculative and experimental, relying on a sense of intuition and imagination in the production of my works. My most recent photographic series The sublime light (2015-2017) was inspired by research into the use of gold and representation of light, as well as notions of visual space in Byzantine iconography. The sublime and abstract photographs are gilded in post-production with 23.5 carat gold leaf. The compositions present multiple simultaneously-visible viewpoints that exist in the same picture frame and open questions about space and time in the image. They complicate traditional readings of the photographic image and can be described as non-static-still-images, whose meaning shifts and changes for the spectator as light reflects off the brilliant gold surface.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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