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Black & White Architecture Elbphilharmonie Hamburg
Fine Art Architecture Photo Elbphilharmonie

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Elbe Philharmonic Hall Harbor City Hamburg Photograph - Limited Edition of 10

Markus Oldenburg

Germany

Photography, Black & White on Paper

Size: 134.9 W x 90 H x 0.1 D cm

Ships in a Tube

$1,349USD

Shipping included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Original signed and numbered with certificate You are purchasing a high-quality architectural photograph of the Port House in Antwerp, Belgium, as part of an exclusive limited total edition of 20 prints. It is a genuine fine art photograph on elegant glossy Ilford paper. All prints are handcrafted ...

Year Created:

2024

Subject:
Mediums:

Photography, Black & White on Paper

Rarity:

Limited Edition of 10

Size:

134.9 W x 90 H x 0.1 D cm

Ready to Hang:

Yes

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My name is Markus Oldenburg – a pseudonym under which I publish my photographic work. Since my childhood, I have been fascinated by painting, drawing and, above all, photography. During my studies at the University of the Arts in Bremen, my focus was on photography. My time with my professor Fritz Dressler was particularly influential, as it was through him that I first came into contact with architectural photography. Today, my photographic focus is on architectural photography as well as on the representation of landscapes, nature and people. I am fascinated by the charm of the supposedly unspectacular – be it in a scene or a portrait – as well as by the play of light and shapes and the possibility of creating something new from it. Digital processing is an indispensable part of my work, even though my roots are in the classic darkroom. Every now and then, though, I still reach for my old Mamiya or Hasselblad and let myself be captivated by the magic of analog photography – even if this is rather the exception.

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