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Elemental #25 - Dawn Breaks on Planet Giger Photograph

Michael Rawling

United Kingdom

Photography, C-type on Paper

Size: 33.1 W x 18.1 H x 0.2 D in

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$330

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About The Artwork

Part of Michael Rawling’s Elemental Series striving to represent the landscape more completely than historical, Pastoral art using film combined with fundamental, natural elements. Site The Black Lake, Black Park, Surrey, Southern England, UK. Found Materials Standing water, lake water, pine needles & bark, lichen, reeds, algae. How do I do this?? Minute amounts of water, windfall organic and mineral samples are collected from the very landscape depicted within each picture - and chemically bonded with the film over ~12 months. The result: a developed film and unedited, printed images that are somewhere between a classic photographs & a totally abstract image, depicting the interaction between fundamental chemical elements present at each place & time, representing a more visceral and literal experience of being present in landscapes in a constant state of natural or unnatural flux. No collating or cutting and pasting of external or internal elements into the picture in Photoshop or a similar editor has taken place.

Details & Dimensions

Photography:C-type on Paper

Original:One-of-a-kind Artwork

Size:33.1 W x 18.1 H x 0.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Michael began a fascination with image-making early, having a film camera from the age of 13 and the creative process has fascinated him through the Epsom School and Bath School of Art, Michael’s degree show consisted of machines, sculptures and self-evolving paintings using technology, chemicals & organic materials. This continues today with the Elemental Series, where natural elements and compounds are collected from the very location depicted within the photograph and the resulting scenes you see in Michael’s work today are created not just by light on film but by naturally occurring liquid, mineral elements and organic matter from the scene and chemically bonding to the film over several months, the resulting Landscapes are created more completely from the scene pictured itself. Echoing ancient alchemical methodologies, the process of production of the images and their resulting mystical appearance both reflect the ups and downs of the search undertaken by an artist to probe humankind's place in nature and in our own spiritual landscape. Michael does not copy & paste, re-arrange or collage external or internal elements into the picture in Photoshop or similar editor - they are created only by his process’ interaction with nature and natural elements.

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