VIEW IN MY ROOM
United States
Photography, Color on Paper
Size: 36 W x 24 H x 0.1 D in
Ships in a Tube
“Fucking New York (Red Coat, 50/12)” is part of critically-acclaimed Fucking New York book project by New York photographer Nikola Tamindzic. “Fucking New York offers a thoroughly exciting, provocative and playful take on the absurd relationship between New Yorkers and their city. With a subtle sense of humor and seductive play of light and shadow, the empty streets of New York themselves become protagonists of this magnificent book.” — VICE “Que se passe-t-il quand les villes font l’amour? Fucking New York est l’aboutissement d’une série de photos où les femmes prennent leur pied dans la ville du tout possible.” — LUI “At once an epithet, an exhortation, a desire, and an active state, Fucking New York is a dizzy swirl. The Bronx is up and the Battery’s down, and the women are humping concrete all over town.” — ADULT
Photography:Color on Paper
Artist Produced Limited Edition of:1
Size:36 W x 24 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Acclaimed New York portrait and fashion photographer Nikola Tamindzic established his reputation as Gawker's house photographer in 2004. Possessing an uncanny ability to disarm both subjects and viewers alike with his alluringly powerful portraits, he seeks to capture the beautiful contradictions of human experience. Nikola's work has been written about in The New York Times, PHOTO, The British Journal of Photography, and other high profile publications. His clients include H&M, Nylon, New York, Gourmet, Out, Gawker, Village Voice, Time Out NY, Maxim, Stuff, New York Post, The Sunday Times, The Guardian, Sonntags Zeitung, Internazionale, and many others. “There is something strangely familiar in a photograph by Nikola Tamindzic: it’s a self-reflective portrait of unapologetic vanity simultaneously affected by the pure, unadulterated humanity it also portrays. Looking closer, the work itself is a deliberate paradox — darkness and humor, desire and restraint — portraying of a world beyond our gaze that is recognizable, yet entirely dictated by its own rules and realities. The story doesn’t begin or end within the photograph, but seems to go on without you.” — JiaJia Fei, Guggenheim Museum
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