View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
After the unleashing of the elements of the apocalyptic period, I think that elements took a rest before the next evolution: moment of quietness and serenity. The particularity of the fractal functions used for my Pixoplasty is that the more I visually enlarge the image more an another material, which composes the initial material, reveals itself. To avoid losing this particularity, it was necessary to print these images in large format. Explanation about Pixoplasty : the original photographic image serves as a matrix for a study of its evocations. The scanned image, or digital, is unstructured: its original constituents, pixels, provide me a material as malleable as clay. The image is then restructured according to my feelings. Prints: Giclée with pigmented inks UltraChrome K3-Vivid Magenta and Epson Stylus Pro 9890 on Hahnemühle Monet canvas 410g/m2 or Harman by Hahnemühle canvas 450g/m2. Wrapped canvas, museeum quality. Limited edition, signed & numbered.
Photography Print:Manipulated on Canvas
Artist Produced Limited Edition of:6
Size:39.4 W x 39.4 H x 0.9 D in
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Born in south of France in 1944. Lives and works in Roquefort Les Pins, Alpes Maritimes (France). For my personal photographic work, I always preferred to express my emotion on a subject than simply documenting it. I used first the gum and bichromate, old photographic printing that I rediscovered during 1981 to 1985 and used until 2004. Recent progress of printers, the quality of pigmented inks and papers, causing me to foresee many other possibilities, convinced me to pursue my work on the image into the digital pictures. In 2011, after a lot of work and researches with computer, digital gave me the opportunity to create my tools for my new working that I named "Pixoplasty". The original photographic image serves as a matrix of pixels for a study of matter and interpretation. The image is destructured, its original constituents are processed into a material as malleable as a clay of pixels. This serendipitous pixoplasty allows me to go further in the freedom of interpretation of sensations offered by the original subject. Visit my website www.jacquesgodard.com for more pictures and information.
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