VIEW IN MY ROOM
Italy
Photography, Black & White on Paper
Size: 14.6 W x 10.6 H x 0 D in
Ships in a Box
The Gornergrat glacier descends from the Swiss side of Monte Rosa. Like all Alpine glaciers, it is affected by global warming and is in a very evident retreat phase. Handcrafted in the photographers darkroom Exhibition quality fibre print Signed, dated and inscribed with title and stamped with photographers ink stamp reverso with the edition number. signed with the edition number on the mount in pencil Selenium neutral toned silver gelatin print Negative: ILFORD DELTA 100 4"x5" Camera: Linhof Master Technika, lens Nikon ED 500mm Paper: FOMA Glossy fibre based paper Edition of 5 prints Matted and mounted 40x50 cm with Crescent RagMat, ready for framing
Photography:Black & White on Paper
Artist Produced Limited Edition of:5
Size:14.6 W x 10.6 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Italy.
Customs:Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Born in Brescia, Italy, on May 28, 1964, after graduating in information science he devoted himself with increasing interest to photography. From 2002 to 2014 he was a professional freelance photographer with active reportage from Western Sahara, Kosovo, Thailand, Belarus, Romania, Ukraine, Pakistan, India, Nepal. Some images of the reportage from Pakistan were presented on the occasion of the launch of the "Decent work, decent life" initiative at the Brussels headquarters of the European Parliament. In addition to his activity as a reporter, he has always taken care of Fine Art photography with keen interest in the landscape, architecture and nude. All the Fine Art activity is carried out using medium and large format analogue photography. He personally prints his negatives in limited editions on silver salt paper. The photographs are subsequently mounted on high-quality acid-free cards. The choice of analogue photography, instead of the more comfortable digital photography, essentially responds to an aesthetic need. The depth of blacks and transitional shades of grays have an aesthetic quality different from digital printing. In addition to the aesthetic aspect with analog photography, especially large format, it is not possible to exaggerate with the number of shots. This implies greater attention and communication with the subject being photographed, whatever it is.
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