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Hattian Migrants In Tijuana 2021 - Limited Edition of 100 Photograph
United States
Photography, Color on Paper
Size: 15 W x 10 H x 0.1 D in
Ships in a Tube
About The Artwork
In the shadow a Hattian family sits mulling over their options and in the background men traveling alone are on the phone with aid workers hoping for any opportunity to request asylum in the Untied States. They are like thousands of other Hattian, African and Central American migrants in Tijuana, Baja California Norte, Mexico. The paper is 12x17 with a 1 inch border leaving the image of 10x15 inches. Signed and numbered in pencil in the lower margin. --- En la sombra, una familia de Hattian está sentada reflexionando sobre sus opciones y, en el fondo, hombres que viajan solos están hablando por teléfono con trabajadores humanitarios con la esperanza de tener la oportunidad de solicitar asilo en los Estados Unidos. Son como miles de otros migrantes Haitianos, Africanos y Centroamericanos en Tijuana, Baja California Norte, México El papel es de 12x17 con un borde de 1 pulgada dejando la imagen de 10x15 pulgadas. Firmado y numerado a lápiz en el margen inferior.
Details & Dimensions
Photography:Color on Paper
Artist Produced Limited Edition of:100
Size:15 W x 10 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Hello, my name is Matthew Bowler. This is where I toot my own horn, so here goes. I am an Emmy award winning journalist in San Diego, California. I come from a long line of journalists but I do not have traditional broadcast beginnings. In college I studied art with a specialty in painting and printmaking. In my last year of college I got married and a year later moved to the South of France. While there, I participated in art exhibitions and was even written about in “La Marseillaise” weekly newspaper, in which they called my alternative process photography “les oeuvres impossible”, or “the impossible works”. After my year in Provence, I returned to San Diego and began to work as a freelance photographer. At that time most of my work was editorial photojournalism for newspapers and magazines. Some years later I transitioned into television news where I started as a video editor. I soon began working as a videographer. But I never lost my love for still photography.
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