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Sam Faulkner
United Kingdom
Photography, Color on Paper
Size: 39.8 W x 53.1 H x 0.1 D in
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Printed on Hahnemühle German Etching paper, known for its distinctive texture and warm tone. This paper was selected for the Somerset House exhibition of Unseen Waterloo due to its matte finish, which creates a painterly effect ideal for these images. The heavyweight paper’s mottled texture enriches colours and deepens blacks, giving a handcrafted quality to each print. Unseen Waterloo is a haunting exploration of memory and absence, focusing on the forgotten soldiers of one of history’s most iconic battles. Photographer Sam Faulkner shifts the lens away from Napoleon and Wellington to honour the nameless men erased by history. Each portrait is an evocative re-imagining, created on the battlefield and brought to life with meticulous attention to historical detail. The project stems from Faulkner’s fascination with what is unseen. With no photography from the time, Unseen Waterloo imagines what could never be captured. Through re-enactors in meticulously researched uniforms, Faulkner reclaims the battle for those who lived it. Isolated against stark backdrops, the portraits convey the quiet intensity of soldiers—courage, fear, and humanity—without the noise of war around them. Originally exhibited at Somerset House for the bicentenary of Waterloo, the series was presented in life-size scale, inviting viewers to confront these imagined soldiers face-to-face. It invites reflection on how we remember conflict and on the ordinary men whose lives were lost or changed forever. Each image feels timeless yet immediate, capturing the emotions of men facing an uncertain fate. This collection resonates with those drawn to history, the psychological toll of war, and the ways we give meaning to the past. Accompanying the series is a book that delves deeper into the creative process and historical context behind these powerful portraits. Faulkner’s work is not just photography—it’s an act of remembrance, inviting viewers to reconsider the personal cost of war.
2009
Color on Paper
5
39.8 W x 53.1 H x 0.1 D in
Not Framed
No
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Sam Faulkner is a London-based photographer known for his distinctive approach to both fine art and documentary photography. His work began in 1994 with a pivotal reportage project in Afghanistan, which earned him The Sunday Times Ian Parry Scholarship. Sam’s early work focused on exploring the human condition, capturing shared experiences across diverse cultures, often in conflict zones or challenging environments. His ability to document the raw reality of human life in extreme situations marked him as an important voice in the world of reportage photography. Faulkner’s best-known fine art project, Unseen Waterloo, re-imagines soldiers of the Battle of Waterloo through a contemporary lens. This series, exhibited at Somerset House in London, presents haunting portraits of re-enactors on the battlefield, exploring themes of memory, history, and the personal cost of conflict. The project was an exploration of how we remember wars and those who fought in them, particularly through the medium of photography. Unseen Waterloo challenges the way conflicts are visually represented, focusing on the individual soldiers rather than the grand narratives of war. Sam’s fascination with the breadth of human experience extends to other areas of his work, including his Cage Fighter series, which captured the intensity and vulnerability of MMA fighters immediately after their bouts. This series, much like Unseen Waterloo, is concerned with documenting the human condition in moments of extreme physical and emotional strain. In both projects, Faulkner has employed a meticulous approach to portraiture, focusing on the raw, unfiltered aftermath of intense experiences. Faulkner’s early work, strongly influenced by the traditions of black-and-white reportage photographers like Henri Cartier-Bresson and Robert Capa, gave way to more controlled, studio-based photography as his career evolved. His time in the fashion world, particularly alongside Mario Testino, played a crucial role in shaping his approach to portraiture. This experience helped him blend the spontaneity of reportage with the precision of studio work, creating a unique visual language that spans both commercial and fine art photography. His work has been widely exhibited, including at the National Portrait Gallery, Brighton Photo Biennial, and Paris Photo.
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