View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
Diptych no. 2 Every single night for ten years... - author Fryderyk Danielczyk - one of the works from diptych no. 2 - place - Gołdap - limited edition 7 pcs - number ?/7 - made from negatives - original prints, Baryte paper - black-and-white photographs - Silver Gelatin Print - original frames made of beech wood - 8-12% of moisture content, covered with matte oil based on natural Chinese oils, natural wood colour, title laser engraved in the lower right corner - backings made of acid-free cardboard with neutral pH adhesive and alkaline buffer, durable, without any optical brighteners. The board meets the requirements of ISO 9706 and PAT (Photography Archival Test) standards, obverse and reverse – original screen printing in the upper right corner - date of making the negatives 2010 - date of making the prints 2010 - original prints 80cm x 50cm - prints don't have direct contact with the glass and frame - signed on the reverse with a pencil - fine art photographs - the price of the series is 150000 $ Emographs are very personal but they are still photography, a heavily condensed emotional bomb that gives no rest for a longer time (only for a while). Sometimes it happens long before our decision to photograph "her". "SHE" lives her own life, without asking anybody permission to appear here or there. But she often explodes the moment we are not ready and we don't have any tools to record reality (a camera for example). They live (the emographs I mean) their own lives and evolve around us all the time, we only need to make a little effort to see them. Emographs are not always a hypocritical picture of the people we live with, they are often forced behaviours imposed by other people because of envy and greed. We are the creators of these behaviours and we must live with them, whether we want it or not. While moving from one person to another, Emographs shape themselves and we can't have constant control over them. They are common, unwanted children nobody accepts as their own or children left at the mercy of their fate long time ago. Time is ticking away relentlessly. There comes a period of reckoning and uninvited discussions on what we could have and should have done, what we managed to do and what we didn't. An examination of conscience and the overall assessment that yields a negative result provide an obvious impulse to do something. But what for? It's impossible to erase the numerous, blank pages from the memory, there are too many of them. We often observe other people's lives but without thinking about the sense of existence, we only try to find our own place in the long row of dominoes. Orphaned emographs wander further to find their parents, in vain and in despair, crying for help. Discarded, they often become instruments of power in the wrong hands. THEY know what is good and what is bad, as every human in this world. Yet, we - so much blinded by our own needs and the urge to possess as much as possible, we not always use the common sense and we don't consider others when making decisions. Emographs are a repository of knowledge and inexhaustible energy that waits to release its emotions at a particular moment and place. They glance at the world and try to find their own place in it. They are a reversed picture of a battered soul of everyone of us. With time they become wiser and they start to take control over all that we do. During their wandering they carefully observe and absorb all that happens on their way. They may be cheerful and smiling. Emographs are an emotional record of the reality in a given moment. Prisoned and tangled with all that we do, they take a physical shape that to a certain extent is our reflection. They are a schizophrenic and mutated mirror image of our souls. Greed and envy, which we can't get rid of, are the sources of our destruction and lack of control. The urge to prove everyone that we are the most important...
Photography Print:Black & White on Cardboard
Artist Produced Limited Edition of:7
Size:45.7 W x 18.9 H x 1.6 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Artist's studio in Poland.
Customs:Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.
Artist. Specializing in exhibition and fine art photography, particularly in all aspects concerning artwork framing as well as its longevity. All photographs have been created using the traditional, analogue technique, without any adjustment while taking a photograph or during the post-production stage. The scenario is life itself. The works concern intimate lives of people presented in the photographs. They have become a sort of creative records, documenting places, events, time and people, who sometimes knew each other well or not so well. They activate the innermost recesses of the human mind and soul that we often don't want to talk about or even know about. They also represent a part of a bigger story - closely related to myself. It's the darkest journey deep into myself and my dear friends. A journey that will bring a lot of answers or maybe will help find a piece of someone else or yourself. Some of the series have been made in a span of several or more years, the whole project has been emerging before my own eyes for the last twenty years. A lot of the elements present in the photographs may be found in other series. It's one complete concept that has no end. All black and white photographs are perfect copies of the Baryte prints made by myself. To some extent The Film School helped me to find the meaning of life again, while working in a big city taught me to see things differently and avoid people who want to cheat you all the time. Only one thing is left, a question - what next?
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