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In Case of Emergency, Lick Glass - Limited Edition 1 of 6 Photograph

Justin Rosenberg

United States

Photography, Color on Paper

Size: 76.2 W x 50.8 H x 0.3 D cm

Ships in a Tube

This artwork is not for sale.

341 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

"In Case of Emergency, Lick Glass" Woman licking miniature window pane. Photographed 2017 Limited Edition signed/numbered print on Fine Art Paper, unframed/rolled in sturdy cardboard tube

Year Created:

2017

Subject:
Styles:
Mediums:

Photography, Color on Paper

Rarity:

Limited Edition of 1

Size:

76.2 W x 50.8 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

As it is with so many artists, a lot of my work is an outward expression of inner thoughts. Cameras, and by extension, post processing are tools I use to reconcile a variety of overarching themes in my life. Many of these themes can be boiled down to one main concept: the duality we all live with. While many cultures have terms for this (Yin and Yang, good and evil, light and dark, etc), I chose to describe my own inner battle as ‘hope in the struggle.’ In my short time on earth, I have found that much of being human involves learning to accept that we can experience multiple emotions simultaneously. For many years, this wreaked complete havoc on me physically, emotionally, and spiritually. While certainly not the only cause, I wholeheartedly believe it was a motivating factor in my long term battle with drugs as well as my long term battle with Crohn’s Disease. In 2011, two events happened in my life that led to me reevaluating my personal outlook on the world. I got sober and I had my large intestine removed due to complications with Crohn’s Disease. Although both of these events (thankfully!) had immediate positive impacts on my overall health and well-being, it was not the events themselves that caused my cognitive paradigm shift. It was the aftermath. After getting sober, and after losing my colon, I had erroneously assumed that life would just ‘be better.’ Over the course of the next few years, I learned that life was better, and that I also still struggled. Prior to this time in my life, the struggle would break me. Every time. This time, it was different. Partially thanks to a clearer head, I learned that I could experience the positive and the negative, the light and the dark, the ups and the downs of life on life’s terms. I not only began to accept this duality, I began to find solace in it. Up until this period, emotion was a fairly binary, black and white, construct for me. It was either all hope, or all struggle. For the first time in my adult life, I sought to embrace the hope in the struggle. In my images, I aim to convey a sense of that hope in the struggle. Much of my work focuses on a single subject relating to a seemingly harsh/sparse environment. I’m often drawn to the natural world as a setting; particularly cold, foggy, and gloomy scenes. I find there to be a beautiful vulnerability in the loneliness and isolation of a subject in a harsh/sparse spaces.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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