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In Da Bus #4 Nuuanu - 2011 - Limited Edition of 10 Photograph

Alexandra Pignon

France

Photography, Digital on Paper

Size: 39.4 W x 18.5 H x 0.1 D in

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About The Artwork

Free_Lens Project - Digigraphie® This is a limited-edition Digigraphie® of Fine-Art Photography, an authentic original created by Alexandra Pignon. -------------------------- I think photos are sometimes incomplete despite their technical accuracy. The meaning of my photographs was often limited and only partially evident. Instead of exalting the mechanical origin of the medium or some digital properties, refusing any standardization, I came to take photos both with and without lens. To take picture without lens, I transform my basic camera by using a lens cap and covering the large hole drilled into it with plastic wrap. As objects lose their real appearance, I forget the immediate subject and can fully concentrate on light and shapes. I call these raw pictures “Free_Lens”. Photographs taken with a lens are used to place a part of my abstract imagery in a figurative context. -------------------------- Note: To be qualified as Digigraphie®, the artwork has to be printed exclusively on Epson Professional Photo Printers, using Epson inks on certified papers. Each limited edition print is embossed with the Digigrapher's stamp and signed. Each Digigraphie® comes with a Certificate Of Authenticity (COA) numbered, signed and is included with each print purchased from Alexandra Pignon. This COA certifies that the Digigraphie® you purchased was authorized, approved and signed by the original artist, Alexandra Pignon. The original artwork is referenced on The Official Digigraphie® Website.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:5

Size:39.4 W x 18.5 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

French-born American in 1968. My personality is slightly out of sync with the world and early on I felt my difference. To eventually change jobs, I joined an art school, the Académie Malouine d’Arts Plastiques in Saint-Malo. From 1998 to 2004 I studied with Eric BRAULT, Denise MASSON, Isabelle DUBRUL and Jean-Claude CRANCE. In 2006, I began to expose my painting and my pictures. In 2008, I moved to Pacific Grove, California. I attended the fine-art photographers group of Cole Weston, ImageMakers of Monterey. I applied with success to the Pacific Grove Art Center annual show and was assigned the largest room at the Center to exhibit. Unfortunately, I had to cancel because I needed to find immediate income. I obtained a position in Hawaii in the land surveying department of an international civil engineering company. Finally, after 20 years in civil engineering, I decided to end my land surveyor career to pursue my work as a full-time visual artist (mainly painting and photography). In 2010, I started to take pictures intensively and to develop my Free_Lens Project. I attended drawing classes at the University of Hawaii and Community Colleges in Honolulu and I modeled. But a long self-diagnosis which had begun in 2010 led me to commit to a gender transition. The next five years were fully committed to my transition and the ultimate re-assignation surgery. In this process, I decided to destroy all my previous body of work. In 2017, the transition completed, I moved to the countryside of Normandy. My painting work is influenced by geometry, industrial architecture and space atmosphere. Music inspires my imaginary landscapes; my pictorial work expresses my trans identity through their passages and figurative obstacles that I describe in my Artist Statement. My digital work “Free_Lens Project” and “Hybrids” explore ambivalence as well. For now, my time is entirely devoted to developing artwork on large formats with homemade Glycerophthalic lacquers. And music composition made since 1982 has recently, with sculpture, become part of my activities. I have exhibited in France and the USA. I live and work in Normandy.

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