"In cruce corvos pascere" Print - Limited Edition of 1

In a world ruled by the image of digital media, the boundaries between disciplines are blurred. Photography, painting and digital art touch and stick in dialectic. The similar information is diluted in a vibrant atmosphere of electronic signals to emerge with all the weight of technology. The resulting image generates hybrids that are not identifiable as a specific medium. The perceptible world fades to be intangible, harmless, disembodied electronic impulses. The essence of limitless space only exists through reality as part of our perceptions on experience and hybridization algorithms, allowing our language is even richer by expanding the tools with which it is made or analog image is constructed or digital. Walking into reality strategies, simulation, hyperreality unreality or allow us to reproduce or transform an indefinite number of times and change the function of the mark, icon, signs or indications, in their relationship with meaning. With these simulation models aim to match, create or recreate the image. This is the way in which the image has changed its relationship with the reality of imitation or reference to the digital analogy. The need to believe in certain forms of reality or a fixed target was transformed to accommodate the characteristics not perceived reality in a digital immensity. Apolo Arauz is a Mexican visual artist. Works as a graphic designer and photographer since 1990. Has always been interested in working with new devices and concepts that blur the boundaries between technology and artistic expression. "I use art to try to connect with others and as a means to express and communicate what I feel, because it is the only way I could do it. It is precisely the gap between analogue and digital where I find refuge. Where are the tools with which to plot my language. It is just this hybrid space, and transformed desunification where I feel more comfortable and feel like home, quite simply because that is the place where I am. When creating an image, appropriating any image (either in a magazine, newspaper, internet, etc) or simply the act of creating, recreating, juxtaposing or defragment an image in a digital or analog space we seek to get right through it a transcendence.