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Injurious Development I Photograph - Limited Edition of 1

Christopher J Deeks, United Kingdom

Photography, Digital on Paper

30 W x 30 H cm

Ships in a Crate

This work will ship in a secure wooden crate. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The ‘Injurious Development’ series uses old family photos, combined with contemporary animal photography to create ridiculous and hypothetical evolutionary stages. “Man selects for his own good; Nature for that of the being to which she tends” - Charles Darwin, ‘Origin of Species’ This quote is an i...

Year Created:

2012

Subject:
Mediums:

Photography, Digital on Paper

Rarity:

Limited Edition of 1

Size:

30 W x 30 H x 1 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

1990, England By questioning social norms, contemporary culture and current artistic practices, my practice is meant to challenge what we expect from our society and ourselves. Primarily my practice stems from an examination of what it is to be human. Physically, Metaphysically and Socially. Although the main body of my current work deals with digital photography and photographic manipulation, I allow the idea to inform the material, rather than the other way around. I am particularly interested in Deleuzian notions of the body (as examined in my undergraduate dissertation 'Plastic Trauma: How Physical Interventions to the Human Body are Perceived in Contemporary Art', for which I won the University of Plymouth's 2013 Critical Studies Award) and Darwinian notions of evolution. I utilise theories such as these to underpin my work. Narrative also features strongly in my practice, in a variety of forms.

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