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Inner Structure No I (X-Ray Film Series) - Limited Edition 3 of 5 Photograph

Rita Parniczky

United Kingdom

Photography, Photogram on Paper

Size: 16.2 W x 12.2 H x 0 D in

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About The Artwork

High quality digital resin print (limited ed of 5) of original photogram medium. Print size: 31 x 41.2cm Editions 1 and 2 of 5 are sold; available from 3 of 5. Also available framed with mount and fine museum quality UV glass: H28 x W37 x D2cm. Please contact artist. This photogram I made of exposing one of my woven material ‘X-Ray Series’ to light and exploring its marks on the paper. My fascination of the invisible structures of objects and materials led me to make the works of 'X-Ray Film Series'. In these, I explore the idea of visible versus invisible. Challenging the darkroom technique photogram I reveal the inner structure of ordinary objects; exposed to light they transform dramatically leaving compelling marks on the photographic paper. These marks appear similar to qualities seen in X-ray films, those of the skeletal structure.

Details & Dimensions

Photography:Photogram on Paper

Artist Produced Limited Edition of:1

Size:16.2 W x 12.2 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I work with sculptural weave, mixed media and photography. I explore the interaction between structure and light. Fascinated by invisible structures of objects and materials I investigate ideas based on materiality, visual change, time and human experience. I challenge the darkroom technique photogram in 'X-Ray Film' series to reveal the inner structures of ordinary objects. The imagery mimics qualities seen in hospital X-Ray films, which often translate into my sculptural weave ‘X-Ray' series. In this work I expose the otherwise invisible vertical warp structure with an innovative technique I have developed. The sculpture comes to life through a performance with sunlight; as light enters and walks across space, it gradually illuminates the material tricking the eye by making the work appear as woven glass or ice. Photographic work ‘Mundane’ re-examines single-use objects. I repurpose each object as a vessel for performance, manipulating the inner structure with sunlight and distorting our perceptions of the familiar object. This however, is a fragile existence lasting while light does. Sculptural mixed-media work 'Broken Bones' questions function and expectations, and how these manipulate and affect our lives and beliefs on a deeper personal level.

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