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Juncture Photograph - Limited Edition of 20

Bernard Werner

United States

Photography, Digital on Paper

Size: 24 W x 36 H x 0.1 D in

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$500

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About The Artwork

“Juncture” typifies the nets and other fishing paraphernalia used in Iceland. The image was honored by being "Nominated" by the prestigious international Black & White Spider Awards. Iceland, ancestral outpost of the Vikings, is still a seafaring nation. Only now, it is the treasures of the sea that beckon the sailor. These days the ships harvest cod and haddock using nets and sturdy mooring lines. This was but one of many images taken from the mountain of nets, ropes, and buoys heaped on a wharf. Southern Iceland is the most visited of all the areas of the island, accessible in the summer and generally so in the winter. Winter is not as cold as one might imagine due to the Gulf Stream, but it can test a soul as one faces winds capable of picking up pebbles on the beach and blowing horizontal snow across the highways. The limited edition is printed using Epson Ultrachrome HD pigment inks on archival Hahnemühle 340gsm metallic paper, beautifully rendered with rich blacks. All paper sizes include 0.2 inch white border around the print for framing. Signed, numbered, dated au verso. Includes a signed Certificate of Authenticity.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:20

Size:24 W x 36 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For different sizes or formats, please contact me at: bernie@bernardwerner.org Bernard Werner follows an aesthetic rather than a particular style. His range is from the realistic to surrealistic to highly manipulated images in the abstract. His works have been in juried shows for over 25 years. He has exhibits in a number of private and corporate collections as well as virtually on the web. The artist’s interpretation only begins with the camera since the image in the viewfinder is never what is seen in the mind’s eye. We have at our finger tips a very powerful set of tools from the digital camera to the computer to the inkjet printer to create our art. Using the power of computers and the availability of new materials and processes, it is and should be, a period of intense experimentation with all artists pushing all boundaries. We should respect the past, but forge ahead with new and different accomplishments. More and more this digital amalgam lends credence to Ansel Adams' paraphrase: ‘A photograph is not taken, it is made’. One must extend the darkroom master's ethos to Photoshop. Photography was part of Werner's family culture growing up, since his older brothers always seemed to have a camera in hand. He inherited some of that, starting with a Kodak Brownie and finally reaching an apex with a Mamiya SLR. However, imagination and reality only reached a confluence with the advent of digital photography. When Photoshop V5 came free with his first Nikon, he was hooked. Since Werner's youth, the influencers were magazines such as Life, Der Stern, Time, Saturday Evening Post, Look, Der Spiegel, National Geographic, and others. Edward Steichen's compilation of "Family of Man" as book also left an indelible mark. Gallery: https://bernardwerner.smugmug.com

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