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VIEW IN MY ROOM
Photography, Black & White on Paper
Size: 31.5 W x 20.9 H x 0.2 D in
Ships in a Tube
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Artist featured in a collection
KUTHO series Conceptual KUTHO takes inspiration from a Burmese concept of merit. A common ritual undertaken by Burmese Buddhists is to cover their relics with gold leaves. Leaving a gold-mark is exclusive to male devotees for merit-making towards better karma. Women, in the guise of an impure status, are forbidden to approach. The series talks about Power associated with Religion and the relationship between the visible / not visible, cult/occult, and parallels universes. Digital photography. Hahnemühle® Photo Rag Baryta®, 320 gms. Hand intervention with gold 24K. It is sugested to be framed with 10 paspartout white Limited edition 1 x 6 +2AP Include a certificate of authenticity Alternative sizes: Medium Size: 30 x 45 cm +7 cm paspartout and sintra mounted Each piece is unique in the sense that each intervention is manual. ..................................... This artwork will be exhibited in Roma 2021 at the exhibition ¨Inspired by Words¨ curated by LoosenArt Exhibited at PHMuseum Erratic Dreams exhibition Photo London Urbanautica Institute 2020. Tokyo International foto Award - Muse Awards Athens Photo Festival Siena Photo Awards .
Photography Print:Black & White on Paper
Artist Produced Limited Edition of:6
Size:31.5 W x 20.9 H x 0.2 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Customs:Shipments from Argentina may experience delays due to country's regulations for exporting valuable artworks.
I majored in Industrial Design and learned photography at the same time. Materials and forms have always been tools to highlight concepts in their symbolic presence. My passion for photography led me to attend art workshops and residency programs, experimenting with alternative techniques and creative processes such as collage, textiles, paint, or others. I think the image through the poetic and political potential that arises from observation. Deeply curious about regimes of representation to question things while suggesting diverse interpretations. Another line of inquiry in my practice is the voyage. The condition of foreignness and displacement is a source of inspiration. I am interested in the discrepancy between what we see and what we know, where these qualities contradict and coexist simultaneously. Combining artificial and natural elements I seek to question our patterned beliefs and therefore, arrive at new meaning. How does the way we live the city influence our environment? Are we prisoners of our own beliefs? What is the relationship between the visible and not visible, or between religion and spirituality? I hope these questions that come out from my works evolve into new levels of reflection, to revise how we perceive reality.
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