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Le fil qui chante - Limited edition 5 of 8 Photograph

Jeanne Fredac

Germany

Photography, Photo on Aluminium

Size: 80 W x 100 H x 4 D cm

Ships in a Crate

$2,280USD

Shipping included

Trustpilot Score

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This Photography was shoot with an 45 years Hasselblad in Sicily. The photographs is a part on the serie Reals Fictions. Photography print on kodak paper, mounted of Aluminium plate Dibond 3mm and framed with a walnut natural frame of Roggenkamp Signed, dated and inscribed with title on the verso ...

Year Created:

2015

Subject:
Mediums:

Photography, Photo on Aluminium

Rarity:

Limited Edition of 8

Size:

80 W x 100 H x 4 D cm

Ready to Hang:

Not Applicable

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Jeanne Fredac. Born in March, 1970 in Treves (Trier), Germany. Photographer, visual artist, autodidact. Jeanne Fredac is a wanderer. She is self-taught and follows no preset path, in fact she knows no such path. Instead she tries, plays, experiments in response to what she encounters along the way. Her photographs, paintings, videos and texts explore man’s relationship to his geographical, historical and social spaces. In a world consumed by the relentless quest for answers, regardless of the questions’ relevance and the presuppositions’ accuracy, she wants to get rid of anything that is a given. And she follows that rule herself, refusing to stay put, to remain within the confines of the work for which she is best known: her photographs of abandoned places. Her art, which was originally almost exclusively photography- and text-based, and rooted in an intimate sense of place, is moving outside those borders, adding painting and objects to its cosmogony. It is also becoming more conceptual and taking new roots in a critique of the obvious. Her work has been exhibited in France, Germany, Italy, the USA and Denmark.

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