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Print bottom right detail including author's digital signature in the border
Print numbering in the bottom left corner
The author's certificates of authenticity come printed on a thick cardboard (850gr/m2) and contain a certificate seal along with the print's seal number.
The author's certificates of authenticity come printed on a thick cardboard (850gr/m2) and contain a certificate seal along with the print's seal number.

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View In My Room

Man in the mist - Limited Edition 01 of 30 Photograph

Niamor Eplov

France

Photography, Black & White on Paper

Size: 22 W x 15 H x 0.1 D in

Ships in a Tube

$330

Shipping included

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61 Views

2

ABOUT THE ARTWORK

This image was shot in 1997 in the city of Amiens, France. It is a long exposure shot taken at night in the winter's mist, with the author's silhouette in the foreground. The print has a distinctive subtle grey-blue tint. The original Ilford film was scanned in 2014 using a Hasselblad Flextight X5 film scanner. This print is made on hahnemühle fine art baryta paper. Dimensions of the paper canvas are 38x56cm, which includes a 1,5cm grey border (actual image dimensions are therefore 35x48). This print is n°01/30. The print comes with a seal code as well as a certificate of authenticity. The author's certificates of authenticity come printed on a thick cardboard (850gr/m2) and contain a certificate seal along with the print's seal number.

DETAILS AND DIMENSIONS
Photography:

Black & White on Paper

Artist Produced Limited Edition of:

30

Size:

22 W x 15 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Self-taught photographer, I live in Paris, France. I started photography in 1995 and exclusively worked with 35mm film until 2015 when I switched to a digital camera. A part of my work which started in 1996 consists in single long-exposure shots using mostly flashlights, with no image editing in post-processing (apart from what is only necessary in a darkroom - exposure, contrast and subtle local corrections). At first glance a viewer would think of those images as being highly digitally manipulated when they are in fact only the results of small choreographies of light and movement performed in the dark in front of the camera, slowly shaping the resulting image in that single exposure. My main interest using this technique is creating strange or surreal moments relating to the frailty of fading memories or "ghosts", and to our perception of space and time, with a taste for dark and shadowy atmospheres much influenced by cinema. A french writer once wrote something that stayed with me and relates for me to these strange moments of photography : "L'espace fond comme le sable coule entre les doigts. Le temps l'emporte et ne m'en laisse que des lambeaux informes." (Georges Perec, in Espèces d'espaces, 1974) Another and more recent part of my work consists in landscape, cityscape, architecture and street photography, with a particular interest in framing human elements (shadows, geometries, symmetries, traces of human presence or activities, mechanical or structural elements) in the natural landscape, always looking for an intriguing side of things. For this kind of work, I sometimes use multiple shots combinations and digital processing techniques in editing, but always look for a natural result (most of the times the viewer would have no clue that the image has been digitally edited if it were not for my indications of such a process).

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