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Photography, Digital on Paper
Size: 13.3 W x 10 H x 0.1 D in
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Materia umana #7. Originally created in 2023 and part of the 'Materia umana' collection by French-Italian artist Giovanni D'Onofrio Leroy, 'Materia umana #7' is a limited edition of 5. The project is aimed at capturing the unfolding and becoming of everyday life, in moments of profound awareness of being, naked and facing one's own questions. The human being is, therefore, transcended into matter, in order to return to the reality of the shots, and is frozen as whole, in the plenitude of good and evil that encompasses it. This work is printed on Hahnemühle Fine Art Baryta 320 g/m² premium quality paper and sold unframed. This limited edition is signed and numbered by the author. The certificate of authenticity is available on request.
2023
Digital on Paper
5
13.3 W x 10 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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Born in Pescara in 1981 to an Italian father and French mother. He spent his childhood between Moislains, a village in upper France and Italy, where he grew up inspired by his father, a painter. Lover of technology, he explores contemporary languages through an aesthetic approach of musical origin, preferring photographic and video mediums. His artistic production is strongly fuelled by stimuli that come from the reality in which he lives and by which he is influenced. Network media flows, urban elements and an observant nature are summarised in artistic inspiration and conceptual works. His passion for electronic music, distortion and glitch adapt to non secondary streams of consciousness, in a desire for differentiation that aspires to a transcended beauty. Researcher and sound designer, he initially played electronic and experimental music with popular influences in clubs and then at vernissages, being influenced by classical music and its obsessive repetitiveness that generates hypnotic and contemplative sound structures. He conceives music, images and video art as forms of opposition to a mechanical society which generates division and loneliness, putting in discussion the transhuman and the unexpected that it entails. Attracted by details and repetitions, he harmonises distortions typical of screens that fragment the gaze in search of a 'natural' beauty. This effect, in fact, does not represent an unexpected event to be eliminated but a timeless source of creation. During his creative process all the rules of communication are deliberately ignored, but the aesthetic investigation does not prevail over the effectiveness of the message. His distant and lucid vision wants to invite you to look away to return to 'See', along paths that lead in a different and intimate direction. Art therefore represents a dissociative starting point for moving humanity towards existence.
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