VIEW IN MY ROOM
United States
Photography, cyanotype on Paper
Size: 24 W x 24 H x 1.5 D in
Ships in a Box
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This is a unique cameraless photograph made without a lens or a negative using the 19th century photographic process of cyanotypes. These two images mounted on painted wood panels can be spaced close together or apart. Their composition is such that they are each a balanced image in themselves but the image also continues from left to right across the two halves. This is a pair of 12 x 24 inch prints mounted on painted wood panels. (30 x 60 cm). They can be spaced close or far apart, spanning anywhere from 25 inches to 40 horizontally. There is no need for framing as the deep 1.5 inch (3.8 cm) white painted sides are a frame. The paper is sealed with a very thin coat of rubbed-on cold wax medium. This matte barely perceptible layer protects the paper against dirt, dust and moisture, but does not have the noticeable thick, shiny, glassy look of an encaustic finish.
Original Created:2020
Subjects:Botanic
Multi-paneled Photography:cyanotype on Paper
Original:One-of-a-kind Artwork
Size:24 W x 24 H x 1.5 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
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Artist featured by Saatchi Art in a collection
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