VIEW IN MY ROOM
United States
Photography, Photogram on Paper
Size: 15 W x 10 H x 0.1 D in
Ships in a Tube
In Tijuana, Baja Norte Mexico a mother and child hug at the border between Tijuana and San Diego. The two are migrants hoping to for an opportunity to claim asylum in the United States. This photo was taken just days before migrants set up an impromptu camp at the sight of this photo. The print is made on paper that is 12x17 inches with a 1 inch border leaving the image at 10x15 inches. Signed and numbered in pencil in the lower margin. --- En Tijuana, Baja California Norte, México, una madre y su hijo se abrazan en la frontera entre Tijuana y San Diego. Los dos son migrantes que esperan tener la oportunidad de solicitar asilo en los Estados Unidos. Esta foto fue tomada pocos días antes de que los migrantes establecieran un campamento improvisado en el mismo sitio que esta foto. La impresión se realiza en papel de 12 x 17 pulgadas con un borde de 1 pulgada que deja la imagen en 10 x 15 pulgadas. Firmado y numerado a lápiz en el margen inferior.
Photography:Photogram on Paper
Artist Produced Limited Edition of:100
Size:15 W x 10 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Hello, my name is Matthew Bowler. This is where I toot my own horn, so here goes. I am an Emmy award winning journalist in San Diego, California. I come from a long line of journalists but I do not have traditional broadcast beginnings. In college I studied art with a specialty in painting and printmaking. In my last year of college I got married and a year later moved to the South of France. While there, I participated in art exhibitions and was even written about in “La Marseillaise” weekly newspaper, in which they called my alternative process photography “les oeuvres impossible”, or “the impossible works”. After my year in Provence, I returned to San Diego and began to work as a freelance photographer. At that time most of my work was editorial photojournalism for newspapers and magazines. Some years later I transitioned into television news where I started as a video editor. I soon began working as a videographer. But I never lost my love for still photography.
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