View In A Room
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VIEW IN MY ROOM
VIEW IN MY ROOM
Photography, Chromaluxe on Aluminium
Size: 30 W x 45 H x 2 D in
Ships in a Box
Artist featured in a collection
In my work, I am inquiring about the problematic and subjective notion of power by altering the historical role of portraits in society. For centuries, portraiture was used as a method for the bourgeoisie to demonstrate their wealth and success through the use of extravagant decorations and garments. My intention in this series is to deconstruct the representation of power and opulence. These photographs respond to the need to portray ordinary people of Cuba. The models, apparently dressing in sumptuous costumes were using regular objects found in their homes such as curtains, table covers, bedspreads, plastic bags, clothes pegs, and stainless steel scouring pads. The photographs ironically recreate what power means by using repurposed objects to depict minorities (people in conditions of poverty, with special needs, from different genders and races). This series is about the uncertainty of what real power means and who has it. It presents critical issues that tend to remain silent. It is about repurposing the meaning of power and constructing hope. The hope to be, the hope to succeed, and the hope of being remembered.
Photography Print:Chromaluxe on Aluminium
Artist Produced Limited Edition of:3
Size:30 W x 45 H x 2 D in
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Carlos Gamez de Francisco was born in post-revolutionary Cuba in 1987, to a Cuban-Spanish mother and a Cuban-American father. He grew up in Cuba and was educated in an academic style heavily influenced by the Russian Academy. At age five, he determined, with absolute certainty, that he would be an artist. By the time he was fifteen, Gamez de Francisco was diligently painting 8 hours a day, every day. Today, he often spends 15 hours a day painting and feels “very blessed to do what I love.” Gamez de Francisco arrived in the United States with $650 at the age of 21 knowing no English. He spent $600 on art supplies and $50 on a pair of Cortez running shoes – “just like the ones Forrest Gump wore to run across the United States.” He committed himself to learn 100 English words every day, studying diligently, working and painting at night. For the first five months, he lived in America without sleep. His exceptional talent, hard work, and perseverance led him to earn artistic commissions and recognition. Gamez de Francisco paints and photographs very passionately, making statements filled with symbolism. He frequently includes insects in his artwork. He says: Flying insects represent FREEDOM; Falling insects represent CHAOS; When they are lying down, they represent BALANCE. His classical training was based on portraits and history, paintings that Royalty and the very wealthy upper class would commission. Garments were exquisite, surroundings emanating wealth. But Carlos felt that “Everybody has the right to be in the portrait” and he embarked on a series where everyday people were featured with ‘found’ objects in their home, like lace doilies, curtains, plastic bags, and kitchen towels, draped and adorned in such a way they appeared ‘royal’. His paintings of furniture tend to be over-decorated, a nod perhaps, to that of the wealthy, but maybe more as a result of a childhood memory. In Cuba, his mother saved for two years to purchase a new sofa. It was such a sign of achievement for her that it was kept in plastic and no one was allowed to sit on it. He learned to admire it from a distance, as if he were in a museum. After arriving in the United States, he noticed the lavish attention we devote to our pets, spoiling them and allowing them to lounge on the sofa. This led to a new series: “Keep Your Pets Off Furniture”. This series not only had dogs laying on the sofa, but had horses jumping on the elaborately decorated couch.
Artist featured by Saatchi Art in a collection
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