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Photography, Digital on Paper
Size: 78.4 W x 47.2 H x 0.1 D in
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93 Views
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his work belong to my last individual exhibition in Madrid Comin soon for sale here, with all the aditional information. EDITIONS AVALAIBLE Museum 47,2" x 78,4" / Edition of 5 Paper Hannehmule Photo Rag 188g / Printed by artprint studio in Madrid and supervised by the artist Paper margin < 4 inch Medium 12,9" x 21,6" / Edition of 15 / Paper Hannehmule Photo Rag Satin 308g Printed by the artist in his studio Paper margin < 4 inch ------------------- TECHNIC Photography. Digital composite. Giclee. CREATION DATE 2018/19 MATERIALS The Hannehmule Photo Rag & Photo Rag Satin is acid free, 100% white cotton paper, specially designed for FineArt applications. has a lightly defined felt structure, lending each artwork a three-dimensional appearance and impressive pictorial depth. Combined with the matt premium inkjet coating, this paper produces outstanding prints that feature brilliant colours, deep blacks, striking contrasts and perfect reproduction of detail. Museum quality for highest age resistanc ( ISO 9706 conform ). The inks used in this high quality prints are tested to remains at least more than 150 years under UV glass. ------------------- CERTIFICATE Each print is numbered and signed in the backside and comes with a Certificate of Authenticity. ------------------- CONSERVATION If the artworks is gonna be exposed in a wall or similar is recomended to frame it with a museum glass, to protect it against the dust an the UV.
2018
Digital on Paper
5
78.4 W x 47.2 H x 0.1 D in
Not Framed
Not applicable
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Spain.
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Pepe Domínguez (Madrid, 1966) is a visual artist specialised in digital hypercollage, photography, and new technologies applied to imagery. He holds a degree in Fine Arts from the Complutense University of Madrid (painting) and has further specialized in design, digital imaging, and frontend development through various courses and workshops, alongside numerous projects for public institutions, multinational corporations, and financial entities. His work, influenced by both classical painting and early avant-garde movements, combines elements of photography, 3D, drawing, video art, artificial intelligence, and other computer-generated graphics, integrating them into a single image or series (digital hypercollages). He explores themes such as biological processes (“Larva”, “Axiomatic”), sexuality (“The Atrocity Exhibition”, “The Senses”, “Pornodelic”), or social critique (“The Mirror”, “Still Life”, “Rise and Fall of the Middle Class”, “The Politics of Insects”), all enveloped in a certain ambiguity to create a series of works that are as dreamlike as they are unsettling. He has participated in a variety of solo and group exhibitions in art galleries and cultural centers, mainly in Spain. His works have been exhibited at ESTAMPA (Madrid), El Foro Cultural Center (Madrid ), Carmen de la Guerra Gallery (Madrid), CRUCE (Madrid), Ateneo de Guadalajara, Casa de Vacas (Madrid), Infante Don Luis Palace (Ávila), Studio RGF Arriaza, and Cafebrería Ad Hoc. He is a regular contributor to **LIBRO OBJETO ST.** (24 editions), a collective artist's book present in numerous national and international collections (Library of the **MNCARS**, **National Library**, **MIDE**...).
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