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This photo is part of my series ABUNDANCE 


ABUNDANCE is about female sexuality and it’s subordination in a world ruled by patriarchy.
It was born out of my own feeling of powerlessness stemming from the judgement and the expectations that are being put on me just because I’m a woman. 
I am supposed to be sensual and beautiful, young, fresh, soft, smooth, preferably untouched…my value being defined by how pleasing to all the senses I am and how scarcely I have been letting others enjoy this. 
My own needs and desires ignored. 
I feel like this is very similar to how we treat flowers. I see a lot of parallels on how they are objectified, displayed for our pleasure and given a limited limited purpose. 
This is suffocating! To objectify us is to dehumanize us.
The way the white substance moves and engulfs everything is exciting at first glance. It may awaken a desire inside of you, a craving, lust, wonder…but it is it’s plentifulness that is turning it into a force of destruction. The same way male dominance imposes it’s power over everything. 
These films and photographs reflect the current state of sexist oppression. What are we going to do to dismantle it? 


C-print on Kodak Pro Endura (with a white border). Signed, dated and numbered on accompanying label.
installation view of exhibition:  Never Ending Or Beginning
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Never Ending Or Beginning - 120x80cm - [Limited Edition #2 of 6]
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Never Ending Or Beginning - 120x80cm - [Limited Edition #2 of 6] Photograph

Annique Delphine

Germany

Photography, C-type on Paper

Size: 47.2 W x 31.5 H x 0.4 D in

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About The Artwork

This photo is part of my series ABUNDANCE ABUNDANCE is about female sexuality and it’s subordination in a world ruled by patriarchy. It was born out of my own feeling of powerlessness stemming from the judgement and the expectations that are being put on me just because I’m a woman. I am supposed to be sensual and beautiful, young, fresh, soft, smooth, preferably untouched…my value being defined by how pleasing to all the senses I am and how scarcely I have been letting others enjoy this. My own needs and desires ignored. I feel like this is very similar to how we treat flowers. I see a lot of parallels on how they are objectified, displayed for our pleasure and given a limited limited purpose. This is suffocating! To objectify us is to dehumanize us. The way the white substance moves and engulfs everything is exciting at first glance. It may awaken a desire inside of you, a craving, lust, wonder…but it is it’s plentifulness that is turning it into a force of destruction. The same way male dominance imposes it’s power over everything. These films and photographs reflect the current state of sexist oppression. What are we going to do to dismantle it? C-print on Kodak Pro Endura (with a white border). Signed, dated and numbered on accompanying label.

Details & Dimensions

Photography Print:C-type on Paper

Artist Produced Limited Edition of:1

Size:47.2 W x 31.5 H x 0.4 D in

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SLEEK Magazine: "Multi-disciplinary artist Annique Delphine is making serious waves in her hometown of Berlin at the moment. Her recent solo show “Reclaim the Feminine” featuring her ongoing series “Objectify Me” was a huge hit – the humorous yet serious approach to questioning the boundaries female artists must break through to express themselves well received by her audience. Delphine’s work promotes female sexuality and aims to avert from the male gaze, something that she states is “always intuitive rather than premeditated” ----------------- Bullett Magazine: "Annique Delphine flips the male gaze on its head. With absurdist images and surrealist GIFs, the Berlin-based artist explores sexuality and female objectification using disembodied breasts. After working as a model in her youth, she decided to reclaim her identity, and found strength behind the lens. Since then, she’s crafted hyper-feminist imagery that challenges traditional notions of what it means to be a femme. Delphine questions the never-ending fetishization of the female body, taking ordinary images and giving them a kinky edge. Through her milk-covered roses (which are actually drenched in varnish) and her boob-filled dessert spreads, she reclaims femininity in her own pink-hued way." --------------- Annique Delphine is a multimedia artist and feminist. Her work includes photography, video, installation and performance. Delphine’s work has been exhibited worldwide in cities including Berlin, New York, London and Los Angeles. Her Film „PLETHORA“ won Best Experimental Film at both the Toronto Arthouse Filmfestival and the Verona International Film Festival. She has held workshops on overcoming body issues and the censorship of the feminine body in Los Angeles and Berlin. Often using her work as a way to overcome her own traumas, she believes in art as a way to promote personal and collective healing. Delphine’s work focuses on the politicization and censorship of the body, feminine symbolism, sexuality, our relationship with nature and our obsession with social media and self image.

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