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"One of the Two Right-Hands," detail from Auguste Rodin's "The Cathedral"
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"One of the Two Right-Hands," detail from Auguste Rodin's "The Cathedral" Photograph - Limited Edition of 1

Susan Merrell

United States

Photography

Size: 16 W x 20 H x 0.5 D in

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About The Artwork

"One of the Right-Hands," detail from "The Cathedral," 1908, stone sculpture, by Auguste RODIN, (1840 -1917), photographed at Musée Rodin, Paris, and reproduced with permission from the museum. http://www.musee-rodin.fr/en/collections/sculptures/cathedral PRINT INFORMATION The original photo is a custom gelatin silver darkroom print from a negative, and available in sizes ranging from a few inches to 20x24 inches. This particular price point is for a 16x20 print. Darkroom prints are considered "original" because each one is hand-printed, and even though a print is almost a duplicate of another, it is also unique and no other gelatin silver print exists exactly like it. Limited Edition, in a series of 100, image size 22x27.5 on pigment prints on Epson Hot Press Natural paper are available for $425 each. A variety of sizes and select editions are available.

Details & Dimensions

Photography Print:Black & White on Other

Artist Produced Limited Edition of:1

Size:16 W x 20 H x 0.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

When I was 11, I waited in the garage for the mailman to deliver pictures processed by Kodak that I had taken on my mother’s Instamatic. I usually missed the delivery, but on this particular day, I timed it right and I was there. I felt pure joy as the mailman pushed the bulky yellow and white envelope through the mail slot on the garage door and lucky to be there to grab the precious, yet unseen bundle of photos before it hit the ground. I don't recall what I photographed, but I remember the thrill of it. I’m still shooting for the joy of capturing a moment. I strive for creating images that make you feel something, the whole point of photography according to a New York Times photo editor. I also hope to “find the holy in the mundane,” a tenet in Judaism that I’ve heard other photographers and artists quote. It sounds lofty, but it’s just being open to where spirit or creativity guides you, rather than pushing for a good shot or thinking it’s coming from you. I shoot fine art, architecture, editorial, documentary and some commercial. The artwork part of my photography can be shooting non-journalism images like abstracts, landscapes, nudes, or creating something entirely new in post-production software, like the grand Photoshop program. I like to draw as well. I use inspiration and joy as a guide in deciding on a process, like I did without realizing it when I was 11. --- A fourth-generation San Franciscan, Susan Merrell has worked as an editorial, documentary and fine art photographer in the Bay Area since 1989. Her projects range from art images and street documentary, to brand marketing photographs as principal photographer for the University of California, San Francisco (UCSF), from 2007 to present. Merrell has received several photography awards, and her images have appeared in numerous local, national and international online and print publications, including: The New York Times, The Wall Street Journal, US News & World Report, NPR.org, ABC Network, Bloomberg, San Francisco Chronicle, San Jose Mercury News, METRO Newspapers, the journal Nature and California History magazine. Merrell is currently a photographer for UCSF, and continues her documentary and fine art projects. merrellphoto1@gmail.com

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