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VIEW IN MY ROOM
VIEW IN MY ROOM
Photography, Color on Paper
Size: 15 W x 20 H x 0.1 D in
Ships in a Tube
Artist featured in a collection
Featured in the Catalog
Featured in Inside The Studio
Showed at the The Other Art Fair
Add my name to the legions of orchid lovers. To me orchids are fascinating, enigmatic, either sexual and seductive or alien and threatening – or all of the above. I can't get over the impression that they are conscious beings, here on earth to teach us something wonderful and mysterious. I'm mostly interested in shooting them as extreme closeups, perhaps to better hear and see what they have to say. To get the entire field of view in focus, I take as many as 60 identical exposures at slightly different focus points and combine all the pictures using special, focus-stacking software. The colors come from the flowers themselves; I also play around with them in Photoshop. Right now I'm offering the finished images as giclée prints on 17" x 22" watercolor paper. Inquire about larger sizes. In the future I may print them as large format prints on aluminum. Stay tuned!
Photography Print:Color on Paper
Artist Produced Limited Edition of:1
Size:15 W x 20 H x 0.1 D in
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ed Freeman started his career in the music industry: as a road manager on the last Beatles tour, playing guitar on dozens of pop recordings, writing and conducting orchestral arrangements for Carly Simon and Cher among others and producing over two dozen albums, including Don McLean's immortal "American Pie." Starting twenty-five years ago he gradually transitioned to his other great love, photography. Since then he has published two hardcover books, an iBook and exhibited widely in galleries and museums, both in the United States and abroad. He has been featured in dozens of photography magazines and books and has scores of cover pictures to his credit. His fine art images are in private collections worldwide and in the permanent collections of several prominent American museums. Freeman is widely recognized for his expert and innovative use of Photoshop in creating images that run the gamut from believable realism to pure fantasy. His controversial position regarding image manipulation is that what he is producing is not journalism but fine art – pictures that are to be appreciated for their intrinsic esthetic value rather than for their accuracy in depicting an actual event or place in time.
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