“Inglourious Basterds: The warm bus stops” Photograph

INGLOURIOUS BASTERDS: THE WARM BUS STOPS FROM 2013 TILL 2017 Feature of the project: the exhibition space was the city of Yekaterinburg, and not a gallery or museum. Leni Smoragdova’s “inglorious bastards” is a new look, interaction with society. The city has become an experimental platform for statements. Rather, on the contrary, he protects, conducts a dialogue with the city. Banksy would have liked this style of "work." The team of "inglorious bastards" - journalists, politicians, Internet trolls, public figures, artists, random and similar public transport stops. On the photo: CASTRATION Three men stand at a bus stop in the center of the city in white clothes, with an imitation of blood in the groin and inside of the thigh. Blood-stained posters are in our hands: “without your support, we are neutered. # warmStop » Inglorious bastards play the trump card: “The audience is interested: the third act is already underway, but there is nothing except the only destroyed warm Stop, and endless talks about the need for new ones. Participants play the worst that can wait for the hero: castration. Attentive viewers here come into conflict. They obviously do not like the word “castration”: a shift is taking place - social, psychological, now the hero is a warm stop from a friend turning into an enemy. The viewer no longer distinguishes on whose side he is. There is a guess that the roles have shifted and now the viewer is part of the "inglorious bastards" team. “Then he is interested in Hans Landa whether he will remove his SS uniform after the war. Having received no answer, Apache cuts out on his forehead “what cannot be removed” —a swastika so that its Nazi past is never hidden. ”This is how the original film ends.

Photography:Paper on Paper

Original:One-of-a-kind Artwork

Size:15.7 W x 11.8 H x 0.4 D in

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