VIEW IN MY ROOM
POLISHED MISERY - Limited Edition of 25 Photograph
Czech Republic
Photography, Color on Paper
Size: 21.7 W x 21.7 H x 0 D in
Ships in a Tube
About The Artwork
Theory of H2O relativity is a series of 5 pictures focused on the topic of consumption and worldwide irrational overuse of water. As in our modern world we are more used to change, damage, not maintain or repair our things, plants or relationships. This series of photographs is stressing out important things in our lives. Title: Polished misery The photography reacting on our consumption habits when it comes to the clothes usage. It is a memory of our great-grandparents, who was probably using one fifth of clothes which we are wearing nowadays and many times we just throw away at the end of the year. One shoe which is polished represents the care and maintenance of things which we have during the life, we care about them and try to extend their durability in comparison to the other shoe which is left carelessly. Award in competition: Tokyo International Foto Awards - Silver in Fine Art/Other. This photo is from a limited edition of 25. Every photo is signed and numbered. Photo is printed on a musem archival Inkjet Paper, 100% cotton - Canson Rag, Photographique 310 gsm.
Details & Dimensions
Photography:Color on Paper
Artist Produced Limited Edition of:25
Size:21.7 W x 21.7 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Czech Republic.
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Czech Republic
Mathé is a Czech photographer living in South Moravia. The greater part of Mathé’s work is modern, conceptual photography with touches of surrealism; a clean style created through the use of simple lines, balanced colours and retro elements. The photographs express her state of mind, the paradoxes of life and death together with flashes of absurd humour. By contrast, Mathé’s still life photographs are how she communicates most naturally but she still manages to surprise the viewer through her freedom of expression and absolute control of the created scene.
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