204 Views
5
View In My Room
Photography, C-type on Paper
Size: 24 W x 16 H x 0.1 D in
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204 Views
5
Artist featured in a collection
An semi-abstract composition shot amongst the ruins of the Grassington Lead Mines in the Yorkshire Dales, created using overlapped frames and multiple-exposures on traditional 35mm film. The effects were created entirely on the film, in the camera...this is not a digitally manipulated photograph. Images of a found sheep skull and the Victorian mine workings are superimposed and interwoven to create a whole which is complex, macabre and beautiful, with the analogue process giving a unique style and quality to the photograph. Printed from a black and white negative scan. Limited edition of 25 prints across all sizes and finishes (plus two 24x16in artist's proofs). Each print is individually hand-signed and numbered. Unmounted C-Type prints are produced using a traditional photochemical process, with true photographic paper exposed from the digital scan and then developed. The gallery-quality archival paper used is selected as appropriate to the particular photograph from papers manufactured by Fuji, Kodak and Ilford. All prints come with a wide border for easy mounting and framing. Additional images simulated and for illustration purposes only.
2016
C-type on Paper
1
24 W x 16 H x 0.1 D in
Not Framed
Not applicable
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United Kingdom
Justice Hyde is an emerging photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and man-made; themes of psychogeography, resonance and dissonance in the urban, suburban and rural landscape; and examinations of sexuality, identity and self-actualisation amid the fluid moralities and new paradigms of the data age. The strands are unified by an interest in the convergence, divergence and intersection of perception and reality. Having begun in photography by using, developing and printing black and white film, he moved to digital processes, but since 2014 has increasingly returned to analogue photography, with 35mm, medium format and Polaroid film now central to his practice, alongside DSLR and even smartphone cameras. In most cases little or no post-processing is used. This diverse approach and discipline ensure that the image never becomes secondary to the tool or technique.
Artist featured by Saatchi Art in a collection
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