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Radial / THREE / cyan breaker
Radial / THREE / cyan breaker, detail
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Radial / THREE / cyan breaker - Limited Edition of 8 Photograph

Chuck Elliott

United Kingdom

Photography, C-type on Paper

Size: 47.3 W x 47.3 H x 0.8 D in

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$5,350USD

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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Radial 3 is a laser cut C type photographic image, printed on Fuji metallic paper, and Diasec mounted between 2 sheets of Plexiglass. It’s then fitted with a hidden subframe, for hanging on the wall, to give the appearance of an unframed, but ultra high gloss, plexiglass artwork, floating 15mm in front of the wall. .. Radial / THREE takes the idea of adding time and motion to a static artwork, by using animation tools to create 24 individual frames from a motion based sequence of images. These frames have then been re composited back into one singular whole. The 24 frames create a kind of ‘circle of life’ radiating out tangentially from their central core, to form a 120cm diameter toroid, that invites the viewer to contemplate the image not as a traditional landscape or portrait work, but as a more sculptural piece, that fully encapsulates it’s own geometry, as the line work curls back in like a breaking wave where it meets the outer edge of the circle. By having no apparent start or end point, it also creates a kind of endless continuum. It’s a piece that breaks with a number of conventions, not least by having a hole laser cut out of it’s centre to enhance the sculptural nature of the digital drawing, but also by condensing a motion based animated sequence of images back into a single final frame.

Details & Dimensions

Photography:C-type on Paper

Artist Produced Limited Edition of:8

Size:47.3 W x 47.3 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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