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Rebuild My Church, limited edition #12/150 Photograph

Christopher Ruane

United States

Photography, Black & White on Paper

Size: 31 W x 22 H x 0 D in

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About The Artwork

Rebuild My Church, limited edition #12/150 Explore image in detail: http://www.christopherruane.com/Set/Sacred-Art-Modern-World/Rebuild-My-Church Giclée on Hahnemühle Photo Rag Honorable Mention-2014 National Catholic Arts Exhibition Featured in the Huffington Post and mentioned in the Washington Post The image Rebuild My Church is a modern interpretation of one of the miracles experienced by St. Francis. During a pilgrimage to Rome, Francis had a mystical vision of Jesus Christ in a dilapidated church, just outside of Assisi. The icon of a crucified Christ came alive and said to him, ”Francis go and repair my house, which as you can see, is falling into ruin”. God has a way of providing for us exactly what we need and again we find ourselves in need of a guiding light. My image brings the tale of St. Francis to a contemporary time inundated with countless churches closing and others crumbling due to a lack of attendance and faith. We are once again in need of rebuilding. You view the story in our lifetime. St. Francis, now depicted as Pope Francis, prays to an animated crucifix in the destroyed Our Lady Help of Christians Church (Heavenly Vision Ministries) in the Larimer neighborhood of Pittsburgh. Once a place of worship, it is now a symbol of the hardship and neglect the church and community have undergone in recent years. Upon close inspection of the image, you find symbolism in the architecture and environment. The modern buildings peering in through the crumbling rooftop represent the attitude of the modern world, superseding the ideals of our sacred traditions. The wolf, which is another symbol of St. Francis, represents the fact that the modern Francis has not yet tamed the problems of our contemporary church. You will also see in the architecture three pillars on the left side and one larger pillar on the right. The three pillars are leaning and breaking, while the largest pillar supporting a fisherman’s net bears the weight of the structure; in Pope Innocent III’s mystical dream, Francis physically held up the church. Symbolically, the fate of the church is now resting on Pope Francis. The hammers at Christ’s feet, which are all different, represent the fact that we cannot rely on one man to repair all of the problems. We must all pick up our hammers and become carpenters of faith. In the image, you are peering into the church; through all the controversy and tribulations, people are still interested and actively seeking truth. As the vines are reaching for the light, so too are the disenchanted, uncertain, and skeptical. We are all peering through and seeking the Light, Christ.

Details & Dimensions

Photography:Black & White on Paper

Artist Produced Limited Edition of:1

Size:31 W x 22 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Christopher Ruane is a composite artist and photographer from Pittsburgh, Pennsylvania who specializes in massive digital photomontages. Sometimes with thousands of individual layers, each photographed and created separately, his work often focuses on the spiritual and contrasting human condition. Influences for his images come from nature, personal experiences, art history, and current events. The complexities of each piece are made to be studied to reveal an inner meaning and viewpoint about our culture, the current climate of the world and what we believe to be the truth of our origins. His work has been shown in museums locally and galleries across the United States. In 2012, his image, The Good Samaritan, was the winner of The National Catholic Arts Exhibition at St Vincent College and since has earned an honorable mention and peoples choice award in the Biannual Exhibition . His work has been chosen for exhibitions by notable jurors from MOCA Cleveland, Andy Warhol Museum, Brooklyn Museum, and Carnegie Museum of Art. Christopher has also received awards from notable Curators such as Linda Benadict Jones and Art Historian John T. Spike, past Director of the Florence Biennale. In the last few years, Christopher and his work were featured in Camera Obscura Journal, Whirl Magazine, The Catholic Accent, The Pittsburgh Post Gazette, The National Catholic News Service, Religion News Service, The Washington Post, and The Huffington Post. In 2016 he was awarded The Charles Dodgson Black & White Award at The Berlin Photo Bienniale and also received awards in PX3 Prix De La Photographie Paris and The International Photography Awards.

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