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Rickshaw Drivers, Kabul - Limited Edition of 1 Photograph

James Longley

United States

Photography, Color on Paper

Size: 96 W x 44 H x 0.1 D in

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About The Artwork

Rickshaw Drivers is offered as a single-edition unique signed print at this large museum size. This panoramic image of daily life in Kabul shows drivers gathered at a rickshaw stand in east Kabul. At the exact center of the image the minaret of a small mosque stands. Above in the cold blue winter sky a military observation blimp peers down on the scene. During the years I lived in Kabul making the feature documentary Angels Are Made Of Light I also spent many days making street portraits and large panoramic images of the city. I wanted to document Kabul as it really is, not the simplified and closed off images we normally see of Afghanistan, but something enveloping and immersive, that would show an entire scene - a tableau, to tell many stories in one image. As a group, the Kabul panoramas are an expansive documentary essay on life in the old city. The goal of my work in Afghanistan and the other West Asian countries where I have lived over the past decades has always been to express to a broader audience the beautiful humanity that I found all around me. The people in these countries have suffered greatly through various wars and conflicts, but their character remains stronger than ever. My films and photographs are love poems to my friends and all the people I met and who allowed me to immortalize them in stills and in motion. A portion of my income from these prints goes to support people I have filmed and worked with in the past, their education expenses and the upkeep of their families. The signed, single edition print is 96 inches wide and 44 inches tall, which includes a 2-inch white border. This is a signed print, unframed and unmounted. This single edition print is rendered on museum quality Hahnemühle Photo Rag paper, printed by a fine art printer using archival inks in the United States. About the paper: This paper feels heavy and substantial to the touch. I am making photographs as one might make paintings - in the sense that these are not action shots, mainly, but contemplations. I like the matte texture of this paper for the way it creates a painterly richness and lack of glare from the surface. In the hands of my printer the black tones of the Hahnemühle paper are deep, substantial, and pleasurable to the eye, and the colors are rich and inviting. Hahnemühle papers are designed for archival storage and are acid-free, which makes them highly resistant to ageing. The paper is also lignin-free, which means it should consist of linters or alpha-cellulose. Lignin-free paper does not yellow. Collectors are encouraged to contact James Longley directly about this print via his website: www.jameslongley.com

Details & Dimensions

Photography:Color on Paper

Original:One-of-a-kind Artwork

Size:96 W x 44 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

From a multiple Oscar-nominated and Sundance award-winning filmmaker who combines fine art sensibility with a passion for communicating the worlds of civilians caught up in conflict, Longley’s film and photography work witnesses places such as Gaza, Iraq, Iran, Pakistan and Afghanistan. Through an approach best described as Slow Journalism, Longley creates a big picture view from an intimate perspective. Describing Longley's work in the Los Angeles Times in 2019, film critic Kenneth Turan wrote: "What is life like on the ground for ordinary people in another culture, another world? That’s been the bread and butter of observational documentaries for forever, but almost never is it done with the kind of beauty and grace filmmaker James Longley brings to his Afghanistan-set “Angels Are Made of Light.” As his 2006 Oscar-nominated “Iraq in Fragments” demonstrated, MacArthur Fellow Longley, who serves as his own cinematographer as well as directs, has an almost magical ability to envelope us in other realities. He does it via the poetry of his imagery as well as a gift for focused illumination that creates empathetic portraits of people who are both ordinary and intensely involving." ... In 2009 James was named a MacArthur Fellow, and in 2011 a USArtists Ford Fellow. These substantial awards helped to create his most recent filmed and photographic work. James has taught master classes at Hong Kong University, Duke University's Center For The Arts, The Goethe Institute in Kigali, and in Zurich for FOCAL. Longley has been nominated for two Academy Awards and won three Jury Awards at Sundance - for Directing, Cinematography, and Editing - among many other heartwarming accolades. 35mm prints of Longley's filmed work can be found in the archives MoMA, The Academy Film Archive, the Duke University Archive, Wesleyan University, The Northwest Film Forum and the Library of Congress. A portion of James' income from the sale of these images goes to support the people he has filmed and worked with the past - particularly in Afghanistan. Please visit James' portfolio site at www.jameslongley.com for more photography and films, and to contact him for custom printing or to commission work.

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