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Rittmeister, 1. Garde Ulanen Escadron, Preußen (Prussia) 2009 Photograph - Limited Edition of 5

Sam Faulkner

United Kingdom

Photography, Color on Paper

Size: 39.8 W x 53.1 H x 0.1 D in

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$3,120

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ABOUT THE ARTWORK

Printed on Hahnemühle German Etching paper, known for its distinctive texture and warm tone, this paper was chosen for the Unseen Waterloo exhibition at Somerset House due to its matte finish, which gives the images a painterly effect. The texture enhances colours and deepens blacks, adding a handcrafted quality to each print. Unseen Waterloo is a haunting exploration of memory and absence, focusing on the forgotten soldiers of one of history’s most iconic battles. Photographer Sam Faulkner shifts the focus from Napoleon and Wellington to the nameless men lost to history. Each portrait is a meticulous re-imagining, created on the actual battlefield with careful attention to detail. The Rittmeister, 1. Garde-Ulanen Escadron, Prussia reflects the authority and dignity of a Prussian cavalry officer from the elite Uhlan regiment. Renowned for their lances and disciplined charge formations, the Uhlans played a significant role in European conflicts. This portrait captures the Rittmeister’s command, while also conveying the tension of leading men into war. His uniform and sharp posture remind us of the weight officers carried, balancing leadership with the harsh realities of battle. With no photography from the time, Unseen Waterloo imagines what could never be documented. Through re-enactors in historically accurate uniforms, Faulkner brings humanity to those lost to history. Isolated against stark backgrounds, the portraits convey the emotions of soldiers—courage, fear, and quiet strength. First exhibited at Somerset House for the bicentenary of Waterloo, this series invites viewers to reflect on how we remember conflict and the lives forever changed. The accompanying book delves deeper into the creative process and historical context of these powerful portraits. Faulkner’s work goes beyond photography—it’s an act of remembrance, encouraging viewers to reconsider the personal cost of war.

DETAILS AND DIMENSIONS
Photography:

Color on Paper

Artist Produced Limited Edition of:

5

Size:

39.8 W x 53.1 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Sam Faulkner is a London-based photographer known for his distinctive approach to both fine art and documentary photography. His work began in 1994 with a pivotal reportage project in Afghanistan, which earned him The Sunday Times Ian Parry Scholarship. Sam’s early work focused on exploring the human condition, capturing shared experiences across diverse cultures, often in conflict zones or challenging environments. His ability to document the raw reality of human life in extreme situations marked him as an important voice in the world of reportage photography. Faulkner’s best-known fine art project, Unseen Waterloo, re-imagines soldiers of the Battle of Waterloo through a contemporary lens. This series, exhibited at Somerset House in London, presents haunting portraits of re-enactors on the battlefield, exploring themes of memory, history, and the personal cost of conflict. The project was an exploration of how we remember wars and those who fought in them, particularly through the medium of photography. Unseen Waterloo challenges the way conflicts are visually represented, focusing on the individual soldiers rather than the grand narratives of war. Sam’s fascination with the breadth of human experience extends to other areas of his work, including his Cage Fighter series, which captured the intensity and vulnerability of MMA fighters immediately after their bouts. This series, much like Unseen Waterloo, is concerned with documenting the human condition in moments of extreme physical and emotional strain. In both projects, Faulkner has employed a meticulous approach to portraiture, focusing on the raw, unfiltered aftermath of intense experiences. Faulkner’s early work, strongly influenced by the traditions of black-and-white reportage photographers like Henri Cartier-Bresson and Robert Capa, gave way to more controlled, studio-based photography as his career evolved. His time in the fashion world, particularly alongside Mario Testino, played a crucial role in shaping his approach to portraiture. This experience helped him blend the spontaneity of reportage with the precision of studio work, creating a unique visual language that spans both commercial and fine art photography. His work has been widely exhibited, including at the National Portrait Gallery, Brighton Photo Biennial, and Paris Photo.

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